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                <text>Geological Diagram of Portage Dam Site</text>
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                <text>Green, Andrew Haswell (1820-1903)&#13;
Hall, Edward Hagaman (1858-1936)</text>
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                <text>1907?</text>
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                <text>Item originally appeared in "Annual Report of the American Scenic and Historic Preservation Society," vol. 13 (1908): following p. 34. Scanned image, from the University of Florida George A. Smathers Library, courtesy of The Internet Archive.</text>
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                <text>Beginning in 1890, recurring attempts were made to construct a dam in the Genesee River gorge so as to control flooding in the city of Rochester and generate electricity. After failed efforts at Mt. Morris, in 1896 attention turned to a site at Portageville and the state legislature authorized creation of the Genesee River Company.&#13;
&#13;
William P. Letchworth was alarmed at the project's potential impacts, and by 1906 he had enlisted the aid of the American Scenic and Historic Preservation Society. These two diagrams were created by that organization as part of a multi-prong resistance to the dam project--along grounds of historical &amp; environmental uniqueness of the gorge, and in this case its geological infeasibility.&#13;
&#13;
The two diagrams appear with their original captions, the gist of which is to show that a proposed canal already had rejected the site because of its sandy composition. Remarks following the diagrams are offered by Prof. A. W. Grabau of Columbia University: "A break in this dam of quicksand such as is sure to occur from undermining by seepage if the lake is created, would carry the resultant flood into the present Genesee gorge near the Lower Falls and through the outer gorges to the flats below Mount Morris. It would not be difficult to estimate which of the villages of the flats would hr wiped out of existence. Probably few would escape. Unless it can be shown that a dam of quicksand from half a mile to a mile in length and 2,000 feet across, and extending 70 feet below the floor of the valley which it dams, can hold in check a lake 15 miles long and 118 feet deep and about a mile in width, and containing 15,000,000,000 cubic feet of water, the project will have to be abandoned."&#13;
&#13;
The Portageville Dam project finally was rejected in 1911, although on grounds of economic "infeasibility" rather than geological unsoundness or historical preservation.</text>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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                <text>Letter to Local Board #571 of the Selective Service System shows the President of Perry Knitting Co. attempting to secure as many deferments for his (male) employees as possible. In this case, he argues that women in the Cutting Room lack the strength to handle a full 40 lb. batch in a single cut, and the resulting half-batches slow down production 50%. Traber also argues there is not enough room to locate the additional workers to compensate. Not a Rosie the Riveter moment.&#13;
&#13;
Although this document is not dated, its typewriter style and contemporary newspaper accounts suggest it was composed during World War II.</text>
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&#13;
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                <text>George Traber III and Leon Brooks talking things over in the Perry Knitting Company. George was the President of the Perry Knitting Company. Leon was the director of personnel and safety. Both men appear to be relaxed in conversation. </text>
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            <name>Identifier</name>
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                <text>Gerrit Hondius, 1956</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Sidney J. Waintrob (1902-2002)&#13;
Abraham L. Waintrob (1908-2004)</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Cooper, Ken</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Waintrob Project for the Visual Arts &lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.albrightknox.org/artworks/p19812533-gerrit-hondius"&gt;Courtesy of Albright-Knox Art Gallery&lt;/a&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpeg, 596 KB</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Hondius (1891-1970), a New Deal Gallery artist, was born in Holland and fled Europe in 1915 amidst the Great War. He studied at Royal Academy in The Hague and the Laren Art Colony, then in New York at the Art Students League. He was known for his expressionist landscapes and paintings of circus performers. </text>
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            <description>The nature or genre of the resource</description>
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                <text>Still image</text>
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        <name>Gerrit Hondius</name>
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        <name>New Deal Gallery</name>
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        <name>Painter</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Gertrude Karlan Jewelry</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Born in New York, from a young age Karlan’s artistic endeavors cut across different forms: music, painting, jewelry. At left, we see two brooches and a necklace displayed at a 1946 Museum of Modern Art show on "Modern Handmade Jewelry." Karlan's pieces are displayed at left, next to several by Madeleine Burrage. One of her paintings is held by the New Deal Gallery, Mt. Morris, NY.</text>
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            <name>Creator</name>
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                <text>Karlan, Gertrude</text>
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            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="7861">
                <text>Museum of Modern Art</text>
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            <name>Date</name>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cooper, Ken</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="7864">
                <text>Museum of Modern Art, &lt;a href="https://www.moma.org/calendar/exhibitions/3195?installation_image_index=3"&gt;"Modern Handmade Jewelry"&lt;/a&gt; installation images. Photograph by Soichi Sunami.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Gertrude Karlan</name>
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              <description>An account of the resource</description>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
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          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Getting Ready For A Day In The Sewing Room at Perry Knitting Company</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Probably ready for the day in the sewing room at the Perry Knitting Company. Piles of cloth are waiting to be sewn by the women in the background of the picture. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Perry, NY Public Library</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Rockwell, Mariah </text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>Clark Rice Photography Collection </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>5317</text>
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        <name>Clark Rice Photograph Collection</name>
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      <tag tagId="1368">
        <name>Perry Knitting Co.</name>
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        <name>Perry, NY</name>
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        <name>Sewing Room</name>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
          <elementTextContainer>
            <elementText elementTextId="17571">
              <text>Pastel on paper</text>
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        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ghost</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Cantave Sean</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Geneseo Migrant Center</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cooper, Ken</text>
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          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="17569">
                <text>Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>For the 1985 Genesee Migrant Center exhibit &lt;em&gt;African Past: Migrant Present&lt;/em&gt;, this drawing was titled "Ghost"; for the 1991 exhibit &lt;em&gt;Passages&lt;/em&gt;, it was title "Voudo Man." &lt;br /&gt;&lt;br /&gt;Cantave Sean's stylized figure recalls the &lt;em&gt;vèvè &lt;/em&gt;of Voudon, symbols that were to act as beacons for spirits. The pose drawn by Cantave Sean, with its crucifix shape and stylized penis may allude to Baron Samedi, the lwa of the dead.</text>
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        <name>African Past, Migrant Present</name>
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        <name>Creative Artists Migrant Program Services</name>
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        <name>Geneseo Migrant Center</name>
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        <name>migrant art</name>
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                <text>Gibsonville Bridge</text>
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                <text>Stone bridge built by Civil Conservation Corps at Letchworth park.</text>
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            <name>Creator</name>
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                <text>Cooper, Ken</text>
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                <text>VanOstrand, Griffin</text>
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        <name>Gibsonville, NY</name>
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        <name>Letchworth State Park</name>
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