38 10 1402 https://openvalley.org/files/original/2dac370bac9dced479de2e3ced13d59c.jpg c4c1e4e6b4ac6a170ebf468dbbe1850f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fly-Over Walkway on Water Street Description An account of the resource A two-story fly-over walkway bridges Water Street and connects Mill No. 1 and Mill No. 5. Annotations from the late 1940s or early '50s tell a story about the open door, seen to the left. At that door, factory 'seconds', or slightly defective Nitey-Nites, were sold for fifty cents a piece by one Mr. McWithey, a fellow known for wearing "large diamond rings on several fingers." Pictured in the lower right is a Buick Roadmaster Sedanette. Another story is told by George Traber, Jr. in the "Perry Knitting Company News" feature in the Perry Herald (<a href="http://perrypubliclibrary.advantage-preservation.com/viewer/?i=f&by=1955&bdd=1950&d=01011950-12311959&e=perry%20knitting%20company%20news&m=between&ord=e1&fn=perry_herald_usa_new_york_perry_19550526_english_8&df=1&dt=10" target="_blank" rel="noopener">26 May 1955: 8</a>), where the photo appeared. It was taken, we're told, at 2:00 pm during a busy day of work at the factory. Why no cars? Thanks to safety plan designed to minimize automotive traffic during hours of heavy foot traffic, employees still only walk three minutes to a parking lot and prevent potential accidents. Traber writes that, if employees were truthful with themselves, they would have said "It sure was a wonder that someone hasn't been killed, especially when the noon and 5:00 rush was on." Publisher An entity responsible for making the resource available Perry, NY Public Library Date A point or period of time associated with an event in the lifecycle of the resource 1948-49 Contributor An entity responsible for making contributions to the resource Raupp, Emma Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource jpeg, 2.7 MB Identifier An unambiguous reference to the resource within a given context 5291 Type The nature or genre of the resource Still Image Clark Rice Photography Collection exterior Perry Knitting Co. Perry, NY https://openvalley.org/files/original/b98b3c56939971616210503e03a31ac2.docx f83c80ad94acdb4d4890208280431864 https://openvalley.org/files/original/b37a5ee84cc26c610d6d565c013c0583.jpg a4d8092b4a5caf34ef7de88f74b1aede Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Geneseo is a small town in upstate New York and while it does not have as much to offer as larger towns, its small businesses are what make it memorable. Aunt Cookie’s Sub Shop is one of those businesses. Known for creating some of the most delicious subs, Aunt Cookie’s is a must go to destination for anyone who visits Geneseo. Since becoming a student at SUNY Geneseo, it has become one of my favorite places to go and eat after a long, stressful day of classes. The trip to Aunt Cookie’s Sub Shop is sometimes painful, especially when you aren’t adjusted to walking up the endless amount of steep hills the campus offers. However, even when you’re out of breath, you know you made the right decision to stop here for lunch. While the shop is quite small, it exudes a very homey feel that makes you want to stay for hours. The smiling faces of the cashiers are a prime example as to how friendly and welcoming the people of Geneseo truly are. Not only are the people that work there friendly, but they have a gift for making the most delicious subs you have ever tasted. I know when I order my sub that I must eat it all. Nothing can remain in front of me. And once I am finished, I sink into a much needed food coma filled with pure delight Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Food For Thought Description An account of the resource Aunt Cookie’s is one of Geneseo’s most popular businesses. This short prose piece is the feeling you get when walking into the restaurant and how at home it makes you feel. Creator An entity primarily responsible for making the resource Wong, Megan Date A point or period of time associated with an event in the lifecycle of the resource 2015-11 Format The file format, physical medium, or dimensions of the resource doc, 27.8 KB Type The nature or genre of the resource Prose https://openvalley.org/files/original/97c052588cb8f8c4e13c728d55aad26d.jpg f175d6b4a5c3a8b66d141caf84c6b34e https://openvalley.org/files/original/138b6fd7c4ab95e189b1694abfe273c2.jpg fa3643a648e91e3cfd7648df38d396f7 https://openvalley.org/files/original/0bc137138a58f46007d7e7ebae320b0c.jpg 9ad3fa934c865a33a14d17ed19753809 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Newspaper advertisement Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource For a Carefree Vacation, Keep in Touch by Telephone Format The file format, physical medium, or dimensions of the resource jpeg, 2 MB jpeg, 1.8 MB jpeg, 1.7 MB Source A related resource from which the described resource is derived New York Daily News 5 Aug 1940: 56 New York Daily News 13 Aug 1940: 73 New York Daily News 19 Aug 1940: 175 Description An account of the resource During the 1920s-30s, telephone service developed from a luxury facilitated by telephone operators, to a self-dialed consumer necessity. Or so the phone companies suggested. This series of three advertisements from 1940 envisions humorously disastrous fears as to what's happening back home, when an individual is on vacation. The New York Telephone Company lists several vacation spots from which to check up on a slumming husband or malingering employees. Using inflation-adjusted figures, however, a 3-minute phone call from Lake Placied to New York--on an evening or weekend--translates into more than $15.  The illustrations are of interest because they were created by Federal Art Project painter Stephen R. Ronay, whose work <a href="https://openvalley.org/items/show/2096" target="_blank" rel="noopener">The Life Boat</a> is held by the New Deal Gallery in Mount Morris, NY. While that work is more serious in tone, it shares with much of Ronay's output from this period an interest in vibrant, chaotic scenes involving many people and actions--somewhat in the manner of William Hogarth. Creator An entity primarily responsible for making the resource Ronay, Stephen R[obert], 1900 - 1983 Publisher An entity responsible for making the resource available New York Telephone Company Date A point or period of time associated with an event in the lifecycle of the resource 1940-08-05 1940-08-13 1940-08-19 Contributor An entity responsible for making contributions to the resource Cooper, Ken Type The nature or genre of the resource Still image advertisement Cartoon New York Telephone Stephen Ronay telephone https://openvalley.org/files/original/212799ea6b7ebb8b5704e910c133f98c.jpg 8651e77dbec2621654944ea22a8f9aad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 10 x 8 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ford Garage, first operated by Watkins and McKurth Description An account of the resource The Ford Garage was owned by Fred Watkins and Frank McKurth. The partners first operated a grocery store at 100 Main St. and secured a Ford dealership there in 1912. The business must have been successful, for the building pictured here at #22-24 Covington Street, was built in 1917. Watkins & McKurth sold it to a group of buyers in 1925, and the agency passed through different owners--the last of them Perry Motor Sales. In 1940, an innovative plan by the Perry Rotary Club called for purchase and management of the property "to make the hall the recreational center of Perry youth, giving them clean and wholesome atmosphere under capable supervision" (Perry Herald 6 Nov. 1940: 1). In December of that year the Perry Bowling Center announced its grand opening, with residents invited to "inspect the modern appointments of Western New York's newest recreation hall" (Perry Herald 18 Dec. 1940: 2). It remains in operation today. Publisher An entity responsible for making the resource available Perry, NY Public Library Contributor An entity responsible for making contributions to the resource Michalak, Benjamin Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource .jpeg, 1.3 MB Identifier An unambiguous reference to the resource within a given context 1051 Type The nature or genre of the resource Still image Clark Rice Photography Collection Perry Knitting Co. Perry, NY https://openvalley.org/files/original/ed093f40ae4191dda5cf128b2542cf65.jpg 42e0dbf7ced5a5d243289afd923ee428 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Engraving Physical Dimensions The actual physical size of the original image 3.5 x 4 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fort Niagara, from Fort George Creator An entity primarily responsible for making the resource Lossing, Benson J[ohn] (1813-1891) Date A point or period of time associated with an event in the lifecycle of the resource 1868 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived The Pictorial Field-book of the War of 1812; or, Illustrations, by Pen and Pencil, of the History, Biography, Scenery, Relics and Traditions of the Last War for American Independence (Harper & Brothers, 1868): 274. Thomas Fisher Canadiana Collection, University of Toronto, via Internet Archive Format The file format, physical medium, or dimensions of the resource jpeg, 930 KB Type The nature or genre of the resource Still image Description An account of the resource This site at the mouth of the Niagara River always has had a strategic importance: prior to European contact as the beginning of a portage around impassable rapids and falls; then as the French Fort Conti built in 1678; then as a reconstructed Fort Denonville in 1687. It was captured by the British in 1759 during the French and Indian War, then played a key role as a Tory staging base during the Revolutionary War. It was finally occupied by American troops in 1796. Lossing's illustration depicts Fort Niagara during hostilities of the War of 1812. English forces captured it in 1813, relinquishing control following the Treaty of Ghent in 1814. Today, the location is a popular tourist attraction, where one of the most striking features is a "French Castle" built in 1720 as an administrative and trading post. Fort George Fort Niagara Lossing, Benson Niagara River War of 1812 Watersheds https://openvalley.org/files/original/1645b45d6816dfbdfd716a1b285b67fe.JPG b39b4c13aa0c995f9c1721ce133fadd4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil on Canvas Physical Dimensions The actual physical size of the original image 26 x 20 in. Condition: surface dirt, crayon or pencil marks Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fountain, Central Park Description An account of the resource Depicted is the landmark Bethesda Fountain located in New York City's Central Park. The fountain is adorned by a bronze statue with small figures that appear to support the winged figure. Bethesda is a biblical reference to a pool that is believed to have had healing powers, so its use for a fountain's name has great significance. The warm colors and large brush strokes give this painting a sense of importance that is associated with being in Central Park--a location not far from Zucker's home in New York. About the Artist: Born in Radom, Poland, at age thirteen Zucker ran away from home, traveling by himself to study at the Bezalel Art School in Palestine. After serving with the Royal Fusilliers of England during World War I, he spent time in the Paris art scene before immigrating to the US in 1922. Here he first worked as a maker of fine jewelry; eventually, he was successful as a painter with studios in New York and Paris. Zucker counted as influences the French Romantics Pierre-Auguste Renoir and <a href="https://en.wikipedia.org/wiki/Jean-Antoine_Watteau" target="_blank" rel="noopener">Jean-Antoine Watteau</a>, along with contemporaries <a href="https://en.wikipedia.org/wiki/Maurice_Utrillo" target="_blank" rel="noopener">Maurice Utrillo</a> and <a href="https://en.wikipedia.org/wiki/Chaim_Soutine" target="_blank" rel="noopener">Chaim Soutine</a>. He observed that, in Europe, artists know that a landscape has been painted many times, but in America “I feel liberated, unburdened by the weight of artistic precedent” (Salpeter). Zucker’s work was shown at places like the Art Institute of Chicago, the Whitney Museum, and the Cheshire Gallery, as well as the Bonaparte and Paquereau Galleries in Paris. 5 more images at the <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-24-folder-49" target="_blank" rel="noopener">FAP</a>; 1 statue at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-24-folder-48" target="_blank" rel="noopener">FAP</a>. Sources Consulted: Harry Salpeter, <a href="http://archive.esquire.com/article/1938/10/1/jacques-zucker-modern-romantic" target="_blank" rel="noopener">“Jacques Zucker: Modern Romantic,”</a> Esquire Oct. 1938: 59+. Dan Wolman, director, <a href="https://youtu.be/BceCvihjQ28" target="_blank" rel="noopener">Jacques Zucker: Modern Romantic</a> (film short). Creator An entity primarily responsible for making the resource Zucker, Jacques, 1900-1981 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photographer) Serbalik, John (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18376 Format The file format, physical medium, or dimensions of the resource jpeg, 1.2 MB Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 204 allocations Central Park Federal Art Project fountain Jacques Zucker New Deal Gallery new york city New York, NY https://openvalley.org/files/original/d51a1f55d5f02e7bba55c86e09362cc6.jpg 2e264712f93731ba77411641944a6c33 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 10 x 8 in Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Employees at The Perry Knitting Company Description An account of the resource Samuel Ferrara, Leslie Fenn, Russell Shaughnessy, and Robert Courch pose for a photo at the Perry Knitting Company. A picture of the Mill hangs on the wall behind them. All have "suggested changes in production control and materials handling and have received cash awards" (<a href="http://perrypubliclibrary.advantage-preservation.com/viewer/?i=f&by=1955&bdd=1950&d=01011950-12311959&e=perry%20knitting%20company%20news&m=between&ord=e1&fn=perry_herald_usa_new_york_perry_19550224_english_3&df=1&dt=10" target="_blank" rel="noopener">Perry Herald 24 Feb. 1955: 3).</a> Publisher An entity responsible for making the resource available Perry, Ny Public Library Date A point or period of time associated with an event in the lifecycle of the resource 1955 Contributor An entity responsible for making contributions to the resource Rockwell, Mariah Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource jpeg, 1.91 MB Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context 5351 Clark Rice Photograph Collection Perry Knitting Co. Perry, NY https://openvalley.org/files/original/998aae23851f1fca18ab3e41190dd5a6.jpg 8b863ef2ad9865d01363ef2f978175a1 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Player html for embedded player to stream video content <iframe src="//www.youtube.com/embed/SoL6a37d1Rg" frameborder="0" width="640" height="480"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frankenstein (8/8) Movie CLIP - Windmill Burns Down (1931) HD Description An account of the resource Frankenstein movie clips: http://j.mp/1JdDF7G BUY THE MOVIE: http://amzn.to/rTiivc Don't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr CLIP DESCRIPTION: After Dr. Frankenstein (Colin Clive) is found injured, the townspeople trap the Monster (Boris Karloff) in a windmill inferno. FILM DESCRIPTION: Still regarded as the definitive film version of Mary Shelley's classic tale of tragedy and horror, Frankenstein made unknown character actor Boris Karloff a star and created a new icon of terror. Along with the highly successful Dracula, released earlier the same year, it launched Universal Studio's golden age of 1930s horror movies. The film's greatness stems less from its script than from the stark but moody atmosphere created by director James Whale; Herman Rosse's memorable set designs, particularly the fantastic watchtower laboratory, featuring electrical equipment designed by Kenneth Strickfaden; the creature's trademark look from makeup artist Jack Pierce, who required Karloff to don pounds of makeup and heavy asphalt shoes to create the monster's unique lurching gait; and Karloff's nuanced performance as the tormented and bewildered creature. Frankenstein was greeted with screams, moans, and fainting spells upon its initial release, obliging Universal to add a disclaimer in which Edward Van Sloan advises the faint of heart to leave the theater immediately. If they don't: "Well...we've warned you." Director James Whale was memorably embodied by Ian McKellen in the Oscar-winning 1998 biopic Gods and Monsters. CREDITS: TM & © Universal (1931) Cast: Lionel Belmore, Colin Clive, Boris Karloff Director: James Whale Producers: E.M. Asher, Carl Laemmle Jr. Screenwriters: John L. Balderston, Robert Florey, Francis Edward Faragoh, Garrett Fort, Richard Schayer, John Russell, Peggy Webling, Mary Shelley WHO ARE WE? The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. SUBSCRIBE TO OUR MOVIE CHANNELS: MOVIECLIPS: http://bit.ly/1u2yaWd ComingSoon: http://bit.ly/1DVpgtR Indie & Film Festivals: http://bit.ly/1wbkfYg Hero Central: http://bit.ly/1AMUZwv Extras: http://bit.ly/1u431fr Classic Trailers: http://bit.ly/1u43jDe Pop-Up Trailers: http://bit.ly/1z7EtZR Movie News: http://bit.ly/1C3Ncd2 Movie Games: http://bit.ly/1ygDV13 Fandango: http://bit.ly/1Bl79ye Fandango FrontRunners: http://bit.ly/1CggQfC HIT US UP: Facebook: http://on.fb.me/1y8M8ax Twitter: http://bit.ly/1ghOWmt Pinterest: http://bit.ly/14wL9De Tumblr: http://bit.ly/1vUwhH7 Date A point or period of time associated with an event in the lifecycle of the resource 2011-05-30T06:09:43.000Z Source A related resource from which the described resource is derived http://YouTube.com Rights Information about rights held in and over the resource <a href="https://www.youtube.com/static?template=terms">Standard YouTube License</a> This video represents licensed content on YouTube, meaning that the content has been claimed by a YouTube content partner. Frankenstein (1931) https://openvalley.org/files/original/d226cf2b7f256fdce297e4a71d91b37d.jpg 3c2c13a89f49018219bd6c8d8fc8b722 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frederick Douglass Rochester statue Description An account of the resource The Frederick Douglass statue in Rochester, NY was originally displayed in a high-traffic area in front of a railroad station. The statue was later transported to Highland Park. Creator An entity primarily responsible for making the resource Druse, Kristen https://openvalley.org/files/original/e2e236af0793cba583c6df91b4f129f7.jpg a6aa70fc042884e8dce1b34cee75dfec Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Film negative Physical Dimensions The actual physical size of the original image 4 x 5 in. or smaller Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Friend Family Moving Into Housing at Nesbitt Farm, Albion NY Description An account of the resource Labor shortages on Western New York farms during World War II led to various programs for making up the shortfall: the "Farm Cadets" youth program; calls for community volunteers; guest workers from Jamaica and the Bahamas; and prisoner of war labor. The photograph here is one in a series documenting how an Albion, NY farmer named David Nesbitt contracted through the US Employment Service to transport a family from Richmond, WV. Bryant Friend--along with his father, wife Hazel, and daughter--are shown entering a formerly abandoned house on the Nesbitt farm. On another photograph in the series, it is noted that "So urgent was the need for immediate farm labor that even before the Friends moved in, they were working in the fields of David Nesbitt." Creator An entity primarily responsible for making the resource Collier, John Jr. Publisher An entity responsible for making the resource available Farm Security Administration, Office of War Information Date A point or period of time associated with an event in the lifecycle of the resource 1942-09 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.loc.gov/resource/fsa.8c28023/?st=image" target="_blank" rel="noopener">Courtesy Library of Congress</a> Format The file format, physical medium, or dimensions of the resource jpeg, 247 KB Type The nature or genre of the resource Still image Albion, NY Farm labor Migrant Labor World War II