33 10 1402 https://openvalley.org/files/original/13851b32a52c6346f39cd7544ebef5a6.jpg e029a4d8ae389d5227148c5c88efcd71 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photography Physical Dimensions The actual physical size of the original image 8 x 10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fabricool: Cottin Knit Fabric Description An account of the resource An advertisement explaining the characteristics of a new fabric. It is the best summer knit fabric yet especially because it is light weight and airy. Publisher An entity responsible for making the resource available Perry, NY Public Library Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Gatlin, Melisha Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource jpeg, 3.3 MB Identifier An unambiguous reference to the resource within a given context 2839.2 Clark Rice Photography Collection fabric fabricool Perry Knitting Co. Perry, NY https://openvalley.org/files/original/12f4d72a83e18e436ba36bbb4d9d7a75.jpg 74cc42d201b45cc4b0f2b30c77ce565b Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Bird's eye view Physical Dimensions The actual physical size of the original image 32 x 61 cm Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fairport, NY, 1885 Description An account of the resource Western New York village located on the Erie Canal still shows the commercial importance of that waterway via several businesses located alongside: a planing mill, grist mill, canning factory, and a baking powder manufacturer. Two railroad lines appear, however--the dominant form of transportation by the 1880s--and eventually the village of 2,000 became better known as a suburb of Rochester and its canal a scenic pathway. Creator An entity primarily responsible for making the resource Burleigh, L. R. (Lucien R.), 1853?-1923. Beck & Pauli. Date A point or period of time associated with an event in the lifecycle of the resource 1885 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Library of Congress Geography and Map Division <a href="https://www.loc.gov/item/75694769/">https://www.loc.gov/item/75694769/</a> Format The file format, physical medium, or dimensions of the resource jpeg, 1.7 MB Type The nature or genre of the resource Bird's eye view bird's eye view Burleigh Litho Co Erie Canal Fairport, NY https://openvalley.org/files/original/ef29b345850ecb7f99cccccb3fcd2e4f.jpg bbca003298c1ba673ae3edecd2e6bdf1 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Chart Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fall Commodity Prices, 1859-1865 Creator An entity primarily responsible for making the resource The Genesee Farmer Date A point or period of time associated with an event in the lifecycle of the resource 1865-11 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived The Genesee Farmer 26.11 (Nov. 1865): 355 <a href="https://archive.org/details/sim_genesee-farmer_1865-11_26_11/page/355/mode/1up" target="_blank" rel="noopener">Courtesy of Internet Archive</a> Format The file format, physical medium, or dimensions of the resource jpeg, 671 KB Description An account of the resource The livelihoods of Western New York farmers were tied to commodity prices on the world markets, particularly those in London, and so The Genesee Farmer often devoted space to trends. Factors like global weather, crop failures, and emerging producers (like those in the American West) all were sources of anxiety. Disruptions caused by the Civil War were a new cause for concern: not only was the supply of farm labor greatly impacted, but relatively longstanding assumptions couldn't be taken for granted. For example, New York corn had been shipped south to feed hogs, but that had come to an end. A surplus of commodities like wheat had allowed for export, rather than strictlly "home consumption," but that now longer was clear either. The chart here was created to show "the price of some of our leading agricultural products in New York at this seasop, for the last seven years." We see fluctuating prices that suggest why information in agricultural newspapers was valued in this era. Type The nature or genre of the resource Still image Commodity Prices farmers The Genesee Farmer https://openvalley.org/files/original/cc7a18fcdd9b65a933e6255e0dff405d.jpg 89162485a848efdd9772d35ad95c9a4b https://openvalley.org/files/original/65c53605b19fc5e0c0a2d45789eb132e.jpg ba3010a66c206f338518c5aa866cd65c https://openvalley.org/files/original/cfde72d9dae047b699451a380aeb5085.JPG cae12fc7ddfb41d33ef300ffc06041d4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 23.5 x 29.5 in. Condition: surface dirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fall in New England Creator An entity primarily responsible for making the resource Fidaroff, Simon Ivan, 1892-1972 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18153 Format The file format, physical medium, or dimensions of the resource jpeg, 1.2 MB jpeg, 3.1 MB jpeg, 13.5 MB Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 063 Description An account of the resource It's fall, and a farmer is seen returning a wagonload of hay, presumably cut and dried in his fields. Fidaroff composes his scene so as to obscure what may be a gas-powered tractor (since we don't see a team of horses ahead of the farmer). A warm shagginess is repeated throughout the painting--tree leaves, grass, the load of hay--using impressionist brushstrokes. In the distance, the cool gray skyline of a mountain points toward winter. About the Artist: We haven’t located much reliable information about this artist. Born in Vladikavkaz, Russia, Fidaroff emigrated to Vancouver in 1913 and then the US in 1915—where he became a citizen in 1939. He was an art student in Los Angeles, CA as of 1917. His painting “In the Country” was exhibited at a 1937 Federal Art Project show. 2 works at <a href="http://bennington.pastperfectonline.com/byperson?keyword=Fidaroff%2C+Simon">Bennington Museum</a>. 2 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-7-folder-13">FAP</a>. Federal Art Project New Deal Gallery painting Simon Ivan Fidaroff https://openvalley.org/files/original/dd1823ed901ca4df9e2df5e682f093cf.jpg d26c72a45f4287a040771ce88fbc73dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 29.5 x 23.5 in. Condition: surface dirt, dented, pitted, torn Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fall Still Life Format The file format, physical medium, or dimensions of the resource jpeg, 955 KB Description An account of the resource Two adjacent types of painting—still life and domestic “genre”—blur in this creatively arranged scene. At right, staples of the still life tradition like fruits, flowers, and drapery are displayed on a table. Yet there also is a child’s toy, and it seems the backdrop might be a blanket of some sort, trailing leftward to a radiator in the background. The domesticity and likely children implied by the toy is indicated by a sofa at left and wallpaper peeking out from behind the blanket; it’s an effective rendering of a woman artist working with her materials at hand. About the Artist: We haven’t located much reliable information about this artist. Palter graduated from Girls Commercial High School, Brooklyn, in 1929. Her paintings were exhibited in a 1938 FAP show in Flushing, NY along with NDG artist Henry Kallem. She married the abstract painter <a href="https://americanart.si.edu/artist/albert-swinden-4724" target="_blank" rel="noopener">Albert Swinden</a>—also a <a href="https://livingnewdeal.org/artists/albert-swinden/" target="_blank" rel="noopener">Federal Art Project artist</a>—and their daughter Alice Swinden Carter went on to become a sculptor in her own right. 2 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-17-folder-44" target="_blank" rel="noopener">FAP</a>. Creator An entity primarily responsible for making the resource Palter, Rebecca, 1912-1998 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18230 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photography) Cooper, Ken (biography) Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context 136 Federal Art Project New Deal Gallery painting Rebecca Palter still life https://openvalley.org/files/original/33e75ca899889ece3bc9e7e71362b98c.jpg 1227ff8150c0ac8d624316bc4a1ef83d Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 9.5 x 7.5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Falls at Ramapo, New York Format The file format, physical medium, or dimensions of the resource jpeg, 707 KB Description An account of the resource Despite inscription on the photo, probably what's shown is Sloat's Dam located a few miles upriver in Rockland County, NY. The structure was built in 1792 by Isaac Sloat for the purposes of milling, and was approximately four feet high by 200 feet in width. In 2000 it was listed on the <a href="https://en.wikipedia.org/wiki/Sloat%27s_Dam_and_Mill_Pond" target="_blank" rel="noopener">National Register of Historic Places.</a> Date A point or period of time associated with an event in the lifecycle of the resource 1900-05-05 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.hrvh.org/cdm/ref/collection/nyacklib/id/1095" target="_blank" rel="noopener">Courtesy of Nyack Library Local History Room</a> Type The nature or genre of the resource Still image Dam Ramapo River Sloat's Dam Slotsburg, NY Watersheds https://openvalley.org/files/original/7fc252ddf099320027edb16301e6d4cb.jpg d9436de20804cd2685dc126b93057336 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Drawing Physical Dimensions The actual physical size of the original image 12 x 12 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Familia Ruiz Pita Mandala Creator An entity primarily responsible for making the resource Ruiz Pita, Mariano (?) Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource 2010-07-18 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts Format The file format, physical medium, or dimensions of the resource jpeg, 2.1 MB Description An account of the resource Circular disc is divided into four quadrants that offer glimpses into the lives of the Ruiz Pita family. Starting at the upper right and going counter-clockwise, we learn 1) that they work in cabbage fields; 2) that they are Mexican; 3) that the immediate family consists of parents Texey and Mariano and children Luis, Mariana, and Pedro; and 4) that this art work gives thanks to God for "one day more." It is among the most explicitly autobiographical of the CAMPS mandalas. Type The nature or genre of the resource Still image Creative Artists Migrant Program Services Farm labor Geneseo Migrant Center Mandala Mexico https://openvalley.org/files/original/83730e72ac9bcfc27d4a164a25afd67b.tiff 806ddeded5867f9c5569c492274f9bdd Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Digital map, modified with text layers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Farm Acreage for the Counties Surrounding Metropolitan Rochester, 2012 Description An account of the resource Based upon data from the 2012 USDA "Agriculture Census" for New York state, this map shows how the counties of Orleans, Genesee, Livingston, Ontario, and Wayne all retain valuable farmland that is in danger of being lost through unmindful development. Creator An entity primarily responsible for making the resource Cooper, Ken Date A point or period of time associated with an event in the lifecycle of the resource 2012 Source A related resource from which the described resource is derived Wikimedia Commons, USA New York location map United States Department of Agriculture, 2012 Agriculture Census, New York State--County Summary Highlights Format The file format, physical medium, or dimensions of the resource tiff, 1.3 MB farmers foods infrastructure Livingston County Map Monroe County https://openvalley.org/files/original/b8301fc1be78862b859f6404441907cf.jpg 50d250e53278870f6269d2b8519ed4a9 https://openvalley.org/files/original/84ae7c21641f0c23bc4b2d8f4a10258f.jpg 86e9589dcc34b5d753a90c3c63d0fa95 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Lithograph Physical Dimensions The actual physical size of the original image 15 x 10 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Farm and Fireside Description An account of the resource From the popular printmakers of the 19th century--an estimated 2-3 new works per week--comes this characteristic lithograph of rural life. Its composition is striking for the angled view into a farm's domestic spaces, so viewers see what is "behind" both a farmer (his fields, field hands, equipment) and his wife (a hearth, furnishings, domestic servant). The two of them, along with a daughter, meet in the foreground for a tableau of well-ordered agricultural and domestic economies. Some of the tortured compositions entail the inclusion of hired labor crammed into the frame, yet relegated to the background. Note: for the purposes of web display, original image has been cropped and edited. Publisher An entity responsible for making the resource available Currier & Ives Date A point or period of time associated with an event in the lifecycle of the resource 1878 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.loc.gov/item/2001699076/" target="_blank" rel="noopener">Library of Congress</a> Format The file format, physical medium, or dimensions of the resource jpeg, 2 MB jpeg, 1.8 MB Type The nature or genre of the resource Still image Currier & Ives Domestic Economy Farm lithograph https://openvalley.org/files/original/c002b2356568bd1bb27e2df6bed9ec7e.jpg c2dbc02a4c3540ace4489c704d97b215 https://openvalley.org/files/original/dcc8c3a25f43acc1b6792a67cec89ab3.jpg dca1b02758e72bb406847b4b3972f44e Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Printed engraving Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource 1859-05 Contributor An entity responsible for making contributions to the resource Cooper, Ken Format The file format, physical medium, or dimensions of the resource jpeg, 623 KB jpeg, 201 KB Title A name given to the resource Farm-House in the Rural Gothic Style Creator An entity primarily responsible for making the resource Harney, George E. (architect) Kilburn, Samuel Smith, and Richard P. Mallory (engravers) Publisher An entity responsible for making the resource available New England Farmer Source A related resource from which the described resource is derived The Genesee Farmer 20.5 (May 1859): 149 <a href="https://archive.org/details/sim_genesee-farmer_1859-05_20_5/page/148/mode/1up" target="_blank" rel="noopener">Courtesy of Internet Archive</a> Description An account of the resource Two drawings envision " a design and plans for a farm-house of the rural gothic style, with conveniences for an estate of considerable size." This would have placed the renderings toward the beginning of that style's popularity, which also was called "carpenter's gothic" for the relatively free on-site improvisations using gothic elements. For example, while the architect acknowledges preferring "stone or brick for the construction of such buildings, yet as there seems to be such a prejudice in favor of wood...we have designed the above to be built of that material." The home's design shows a first floor of quite opulent dimensions; however, it is of potential interest due to its mention of a second floor that "contains seven good-sized bed-rooms, with their necessary closets. Those in the L being entirely distinct from the main body, and reached by a different flight of stairs, may be used for servants and hired men." Given the construction estimates for "the neighborhood of Boston," though, it seems doubtful whether many such estates were built on working farms. Type The nature or genre of the resource Still image Architecture Farm House migrant housing