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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
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                <text>This early photograph of the Perry Knitting Co. is roughly contemporary to &lt;a href="https://openvalley.org/items/show/1513" target="_blank" rel="noopener"&gt;another OpenValley document&lt;/a&gt;, although here the absence of tree leaves allows for clearer viewing of Mill #1. In the foreground are the PKC's dam and water wheel. The operations were to expand dramatically in years to come, but even so this initial structure is impressive.</text>
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Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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                <text>The four photographs here partially document a tense confrontation, during 1937, between the Perry Knitting Co. management and the Textile Workers Organizing Committee of the Congress of Industrial Organizations (CIO). Like any other factory, worker concerns over safety, wages, and job stability ran into management concerns over profitability and authority. For example, in 1917 more than 250 Polish workers at PKC had gone on strike, leading to an escalating conflict and arrests. &lt;br /&gt;&lt;br /&gt;The CIO's drive for unionization was much larger; one rally near the Perry Knitting Co. drew an estimated 1,200 people. Against this backdrop the Loyalty Parade should be seen as tactical, a public mobilization to show that workers were happy with the status quo. As the &lt;em&gt;Perry Herald&lt;/em&gt; wrote, "In one of the most spontaneous demonstrations of civic spirit ever seen in this section more than 900 employees of the Perry Knitting Co., late yesterday afternoon staged a loyalty parade, prompted by the parade in the morning when less than100 new members of the CIO marched in the vicinity of the mill" (9 June 1937: 1). While its spontaneousness may be doubted--given the matching hats and nicely printed placards--the parade ultimately proved effective.&lt;br /&gt;&lt;br /&gt;The photographs also document Perry's Main Street at a moment in time. The names and marketing signs of many businesses are visible. At the Auditorium Theater, a double bill of &lt;em&gt;Call It a Day&lt;/em&gt; and &lt;em&gt;Turn Off the Moon&lt;/em&gt; is playing. A number of curious spectators each think their thoughts. And the parade's marching formation, by work units like "Spinning Room" and "Box Shop," suggest the wrenching decisions individuals faced between loyalty to immediate co-workers and a proposed solidarity of labor. The company may have been valued for providing jobs, but it's questionable whether it could have mobilized such strong feelings.</text>
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                <text>Kiwanis Doings</text>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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