32 10 1402 https://openvalley.org/files/original/2070ad95bdeda96f7e333abbbfe17e29.jpg 21789ddee626e08c9af37a8e3f80907e https://openvalley.org/files/original/7afb48705013c1f260e4bb2fe2b13f51.jpg fecf7a901ab806c562b13b6c5cacafe8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil on canvas painting Physical Dimensions The actual physical size of the original image 36 x 30 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evening in Crotona Park Description An account of the resource A tree serves as the central focus for this piece, dividing the left and right of the portions of Alshets’ painting. Its setting is Crotona Park, in the Bronx. The narrower left side of the painting shows a road going into the distance and vanishing; the road heading to the right past the tree holds most of the action, with people walking and biking through the park underneath electric lights—still a new innovation during the 1930s. Evening in Crotona Park is painted in a darker palette, with details fading out the deeper into the painting you go. In the foreground near the tree are two people, a man and a woman, sitting on the grass and talking to one another. The brushstrokes in this painting are light, in the upper portion used to give an impression of dim moonlight filtering in through the cloudy sky. This piece shows a calm evening and evokes a sense of community and peace, one that Alshets himself may have felt about the park since he lived nearby. He offers us a few moments there ourselves, under the electric lights. About the Artist Alshets was an artist for the Federal Arts Project based in New York, having immigrated from Sheffield, England as a young child. Although we know a several of his artworks, and even have <a href="https://openvalley.org/items/show/2105" target="_blank" rel="noopener">a photograph</a> of him painting Deserted Farm (1938), there is little more about the man who created them. Historical records indicate a large family, including a twin sister, and a toymaker father who struggled financially. We also can trace how his paintings, through the FAP, travelled across the United States. In 1941 his painting <a href="https://openvalley.org/files/original/05b061aa9e6a60ee712e5e1ff65893af.jpg" target="_blank" rel="noopener">Tri Boro Bridge</a> was exhibited at the the Salt Lake City Art Center and praised by the local newspaper as a lively scene reminiscent of <a href="https://en.wikipedia.org/wiki/Reginald_Marsh_(artist)" target="_blank" rel="noopener">Reginald Marsh</a>. That same painting appeared a few months later in Oregon, at the Salem Arts Center, where a reviewer thought that it showed a good understanding of the average American. Deserted Farm traveled to the Federal Art Gallery in Chicago; a still life traveled to Bradenton, FL. Unfortunatelyartists like Alshets are everywhere: gifted people who created art but never had anyone to record the day to day of their life. 12 images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-1-folder-20" target="_blank" rel="noopener">FAP</a>. <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-1-folder-20"></a> Works Consulted:<a href="https://www.ancestry.com/family-tree/person/tree/202030969/person/212637303668/facts?_phsrc=xnF179&_phstart=successSource" target="_blank" rel="noopener">Alshets Family Tree</a>, Ancestry.com; “Center Group Illustrates Realistic Art”( Salt Lake City Tribune 24 Feb. 1941: 9); “Art Center Notes” (Salem Statesman Journal (22 Jun. 1941: 12). Creator An entity primarily responsible for making the resource Alshets, Simon (1908 - ?) Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1941 Contributor An entity responsible for making contributions to the resource Secor, Caleb (description and biography) Helquist, Morgan (photography) Source A related resource from which the described resource is derived New Deal Museum, Mount Morris NY Object #FA 20137 Format The file format, physical medium, or dimensions of the resource jpeg, 2.2 MB jpeg, 1.2 MB Type The nature or genre of the resource Still image Crotona Park Federal Art Project Landscape Art New Deal Museum painting Simon Alshets https://openvalley.org/files/original/21694217bf13b9a3152ce7aa8dd2673e.jpg bcb4a5a27076ef8b97c896b70debdb10 https://openvalley.org/files/original/5c8cf140cab4ce7643589271a7f5419d.jpg 7189e5a9a74b47130061d8adc3f0faff Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Print engraving Physical Dimensions The actual physical size of the original image 4 x 6 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Evening Meal Format The file format, physical medium, or dimensions of the resource jpeg, 1 MB jpeg 916 KB Creator An entity primarily responsible for making the resource Rico, Dan (Don), 1912 - 1985 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource c. 1935 Contributor An entity responsible for making contributions to the resource Helquist, Morgan (photography) Source A related resource from which the described resource is derived New Deal Museum, Mount Morris NY Object #FA 1470 Type The nature or genre of the resource Still image Description An account of the resource 10 images at <a href="https://art.gsa.gov/people/2258/dan-rico/objects" target="_blank" rel="noopener">GSA</a>. Dan Rico Engraving Federal Art Project New Deal Museum https://openvalley.org/files/original/0f9a0bf2bfc60bb59637e16be020f71b.png 3f7bf82b04d7235283431d6733032317 https://openvalley.org/files/original/cc2b4cea6526c6b8bf09446965cc8531.jpeg 79bfeb057118b666d59f904aab10da71 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhausted Migrant Farmworker Sitting Description An account of the resource This photograph exposes the harsh realities of what being a migrant farm worker is. It is unknown whether or not this photo was stage, yet, it still exposes the harsh realities of being a migrant farm worker. The unknown man in the photograph sits with his elbows on his knees and his head in his hands with his eyes closed. Creator An entity primarily responsible for making the resource Unknown Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Michalkow, Nikolete Source A related resource from which the described resource is derived Geneseo Migrant Center Format The file format, physical medium, or dimensions of the resource png, 4.6MB Type The nature or genre of the resource Still Image Geneseo Migrant Center Migrant Farmer Migrant Farmworker https://openvalley.org/files/original/146648a2a31bbf71ae35597b6018f274.pdf 2da6afb41d1c562bdccbd2f538f91ce6 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Drawings Physical Dimensions The actual physical size of the original image Two sheets, 8.5 x 11 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition Sketches for My Journey Through the Fields Creator An entity primarily responsible for making the resource Cavazos, Juan Format The file format, physical medium, or dimensions of the resource pdf, 1.6 mb Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource 1989? Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts Description An account of the resource Ahead of Cavazos' 1989 show at the Bertha V. B. Lederer Gallery, he sketched several of the works that appeared in the exhibition. Perhaps it was to help others identify the objects; perhaps it was intended for subsequent shows in Buffalo. <a href="https://openvalley.org/items/show/1978" target="_blank" rel="noopener">The program</a> for My Journey helps to identify how Cavazos grouped the individual pieces. See also a photograph for his sculpture entitled "Watching" (Observando). Type The nature or genre of the resource Still image Creative Artists Migrant Program Services Exhibition Geneseo Migrant Center Juan Cavazos https://openvalley.org/files/original/8dba4ac2a1591b1664308849ac5a0642.jpg 2a00fd3944ac78009d6af07ca9c63300 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Silkscreen poster, via color film copy slide Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exhibition: Oil Paintings from the Easel Division Format The file format, physical medium, or dimensions of the resource jpeg, 613 KB Creator An entity primarily responsible for making the resource Rothstein, Jerome Henry, 1918-2008 Publisher An entity responsible for making the resource available New York City W.P.A. Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1936-1941 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Library of Congress, Prints & Photographs Division, WPA Poster Collection, <a href="https://lccn.loc.gov/98516689" target="_blank" rel="noopener">LC-USZC2-5386</a> Description An account of the resource Created by the WPA poster division, it's not clear whether this sign is promoting a show at the New Deal Gallery, a show at some other location, or simply was used for traveling shows. Federal Art Project Poster Poster Division Works Progress Administration WPA https://openvalley.org/files/original/f93aa6c913e3b76aedad3f5da257bac3.jpg 5191e01e853da64c374a98e7b1892dad Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Book illustration Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Exotic foods from Alessandro Filippini's cookbook "The Table" Description An account of the resource The famed chef from New York city's Delmonico's restaurant showcases the unusual ingredients and cuisines favored by America's Gilded Age diners Creator An entity primarily responsible for making the resource Filippini, Alessandro Publisher An entity responsible for making the resource available Charles L. Webster, publisher Date A point or period of time associated with an event in the lifecycle of the resource 1889 Contributor An entity responsible for making contributions to the resource Stewart, Gregory Source A related resource from which the described resource is derived Wadsworth family private collection Format The file format, physical medium, or dimensions of the resource jpeg, 4.2 MB cookbook Filippini foods wadsworth https://openvalley.org/files/original/cd9c0ab6c9d51c8e93fa1e4f8c057953.png aac2bdf9a780b6aa7cd793e7b501bc80 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Expectant Mother Working in Field Description An account of the resource The unknown mother-to-be photographed in this portrait is seen to be directly interacting with the farm in which she is employed. Migrant females were expected to work despite pregnancy, with few accommodations provided to ensure comfortability. Work was needed to be done by those employed, including pregnant women. This photograph appears to be taken at a potato farm, though the exact location is unknown. Migrant farmers typically work for long hours in the fields during the prime farming season to ensure they can provide for their families. This mother is no exception, as she is visibly seen to be working despite pregnancy. Publisher An entity responsible for making the resource available Geneseo Migrant Center Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Kershner, Natalie Format The file format, physical medium, or dimensions of the resource png, 452 KB Type The nature or genre of the resource Still image Expectant Mother Female labor Geneseo Geneseo Migrant Center Migrant Farmers migrant workers Migrants Mother Motherhood Parent Potato Camps Potato Farm Pregnancy https://openvalley.org/files/original/8f1cb4f03225751852c8f6568b1149a6.jpg 437b5ef836759fb56d1180cb935dcb13 https://openvalley.org/files/original/886b528d5ac3976ea685b6845e229345.mp3 5a9a91184e611dae3fed162b8787ce5f https://openvalley.org/files/original/5649605d01eb6d112a06015aeb1b174c.mp3 b8b5bd53e23dd40b5c4a650e272f2e19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Experimental sound file https://openvalley.org/files/original/fad104287d84934e67f7d5a89d66c0e2.jpg f627a795340ecdad49830006e523e9a1 https://openvalley.org/files/original/c8f97dad1ddaa7b765ff47d050865957.jpg 4a062a3c79364c3e03a745a7b53cf93c https://openvalley.org/files/original/feb94843ef49c71acaa686a96a366083.jpg b21b137e44f630601a7a947e1f7ea92d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caledonia 1892 Description An account of the resource This collection of images is based upon <a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener">an 1892 birds-eye panorama of Caledonia, NY</a> published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.” Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Thanks to Tom Tryniski, Fulton History Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Newspaper advertisements Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.A. Christie, Clothing & Gent's Furnishing Goods Description An account of the resource Number 40 on the Burleigh map, the clothing store of F[raser] A. Christie (1858-1917) was one of those destroyed by the 1891 Caledonia fire. Subsequently, he moved into the same building as A.K. Fowler. Known as one of the town's most civic-minded individuals, Christie served as town clerk for many years, and as supervisor for a period as well. Publisher An entity responsible for making the resource available Caledonia Era Date A point or period of time associated with an event in the lifecycle of the resource 1. 1903-11-25 2. 1902-10-22 Contributor An entity responsible for making contributions to the resource Cooper, Ken Format The file format, physical medium, or dimensions of the resource 1. jpeg, 188 KB 2. jpeg, 415 KB Source A related resource from which the described resource is derived Courtesy of Tom Tryniski / Fulton History Burleigh Litho Co Caledonia, NY Clothing John Christie https://openvalley.org/files/original/60d892b576bc17dd5ea509a162deb574.jpg 02814b14885e40ea21a331d25147606d https://openvalley.org/files/original/79537c1c80c49ce83d48711de7fc49e1.jpg 7a37c94afeb927d96a10108935fb9b73 https://openvalley.org/files/original/e1833a15c476ff7b12119ed29006b698.jpg 254c581bfeb37d1b09e5b8618eec3e64 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caledonia 1892 Description An account of the resource This collection of images is based upon <a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener">an 1892 birds-eye panorama of Caledonia, NY</a> published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.” Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Thanks to Tom Tryniski, Fulton History Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource F.W. Miller, Agricultural Implement Manufacturer Description An account of the resource Number 18 on the Burleigh map, for a period this Caledonia firm was nationally known for its patented equipment--especially bean harvesters. Factory was founded by the McColl Brothers in 1868, until purchased in 1880 by Alexander and his son F[red] W. When Alexander died, F.W. Miller continued growing the business thanks to innovative designs. An admiring profile in 1895 wrote that “Mr. Miller has alone and single handed worked up a large and extensive business in the manufacture of implements of all kinds, and it has grown beyond the control of one man. The firm will probably build new works in course of the coming year providing a suitable location can be secured in a more convenient proximity to the railroad depots” (Caledonia Advertiser 1 Dec 1895). This was to prove fateful, as Miller in seeking growth moved to Leroy, NY and sold patents to the Leroy Plow Company; he lost a legal dispute over their ownership in 1904. These advertisements illustrate some of F.W. Miller's products. Publisher An entity responsible for making the resource available HathiTrust Source A related resource from which the described resource is derived 1. The Implement Age 24 (1904): 144. 2. Farm Implement News Buyer's Guide 31 (1921): 39. 3. The Implement Age 23 (1904): 39. Format The file format, physical medium, or dimensions of the resource jpeg, 151 KB jpeg, 143 KB jpeg, 186 KB Type The nature or genre of the resource Print advertisements Date A point or period of time associated with an event in the lifecycle of the resource 1. 1904 2. 1921 3. 1904 Contributor An entity responsible for making contributions to the resource Cooper, Ken Alexander Miller Burleigh Litho Co Caledonia, NY F.W. Miller Farm implements LeRoy Plow Company LeRoy, NY