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                  <text>This collection of images is based upon &lt;a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener"&gt;an 1892 birds-eye panorama of Caledonia, NY&lt;/a&gt; published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. &lt;br /&gt;&lt;br /&gt;The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.”</text>
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                  <text>Cooper, Ken</text>
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                  <text>Thanks to Tom Tryniski, Fulton History</text>
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                <text>Hugh Campbell, Harness and Sadlery</text>
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                <text>Number 19 on the Burleigh map, this firm dated back to Scottish immigrant Colin Campbell, who founded it in 1843 and later took on his nephew Hugh (1855-1920) as a partner. Their quality of work on saddles, harnesses, and collars was known throughout Western New York. In 1891, the sudden death of Colin passed along ownership to his nephew--perhaps the occasion for this advertisement printed during the same year.</text>
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                <text>Caledonia Advertiser, 8 Oct. 1891. Courtesy of Tom Tryniski / Fulton History.</text>
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                <text>1891-10-08</text>
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                  <text>This collection of images is based upon &lt;a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener"&gt;an 1892 birds-eye panorama of Caledonia, NY&lt;/a&gt; published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. &lt;br /&gt;&lt;br /&gt;The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.”</text>
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                  <text>Thanks to Tom Tryniski, Fulton History</text>
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                <text>R.W. Matteson, Post Office &amp; Stationery</text>
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                <text>Number 20 on the Burleigh map, this seal of the Post Office Department is shown because Matteson's business probably was dependent upon his position as postmaster for Caledonia. In 1889 he first was appointed by President Benjamin Harrison, then renewed for the second Presidency of Grover Cleveland, through 1897. &#13;
&#13;
In 1900 Matteson suffered a tragic early death, at age 45, while working as overseer at a quarry in Leroy, NY. A coupling in a mining car broke, sending it back down the track and crushing the unsuspecting man. He was remembered as "a man highly esteemed" in Caledonia.</text>
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                <text>Wikimedia Commons</text>
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                  <text>This collection of images is based upon &lt;a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener"&gt;an 1892 birds-eye panorama of Caledonia, NY&lt;/a&gt; published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. &lt;br /&gt;&lt;br /&gt;The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.”</text>
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                  <text>Thanks to Tom Tryniski, Fulton History</text>
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                <text>McDonald Bros., Bankers</text>
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                <text>Number 22 on the Burleigh map, this location housed a bank chartered by David A. and Simon W. McDonald, the latter also running an insurance business in the same building. David was primarily a miller, who during the 1880s ran the Genesee County Flour Mills in Batavia, NY. Simon, who for a time had worked at Page's Mill in Mumford, NY, concentrated primarily upon banking. Sometime around 1900, McDonald Bros. Bank became First National Band with an expanded board of directors.</text>
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                <text>Caledonia Advertiser</text>
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                <text>1892-01-14</text>
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                <text>Cooper, Ken</text>
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                <text>Caledonia Advertiser, 14 Jan. 1892. Courtesy of Tom Tryniski / Fulton History.</text>
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        <name>David A. McDonald</name>
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        <name>McDonald Bros. Bank</name>
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        <name>Milling</name>
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        <name>Simon W. McDonald</name>
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                  <text>This collection of images is based upon &lt;a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener"&gt;an 1892 birds-eye panorama of Caledonia, NY&lt;/a&gt; published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. &lt;br /&gt;&lt;br /&gt;The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.”</text>
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                  <text>Thanks to Tom Tryniski, Fulton History</text>
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                <text>Wm. Hamilton, Produce Dealer, Office &amp; Elevator</text>
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                <text>Number 12 on the Burleigh Map, the location of Hamilton's office alongside the New York Central Railroad suggests the importance of his operation to Caledonia's economy. In addition to his farming interests Hamilton (1832-1912) was a produce dealer, bean processor, and "maltster"--that is, he roasted corn and barley for use in brewing or distilling. Presumably because other farmers relied upon his services, his firm often was consulted for market prices, as shown in this newspaper image.&#13;
&#13;
An 1881 profile of him praised this son of a Scottish immigrant for his "most hearty support to all efforts and measures tending to the advancement of the agricultural interests of Western New York." Beginning in 1858 Hamilton, along with D.E. Cameron and James McNab, organized a county agricultural fair until it was suspended due to the Civil War. He later purchased the Smith flouring mill in Honeoye Falls, charted a bank, helped found the Livingston County Historical Society, and served in numerous political offices--including as Presidential elector for Grover Cleveland. His firm "Wm. Hamilton and Son" continues operations today at the same location.</text>
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                <text>Caledonia Era 28 Nov. 1906. Courtesy of Tom Tryniski / Fulton History.</text>
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                  <text>This collection of images is based upon &lt;a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener"&gt;an 1892 birds-eye panorama of Caledonia, NY&lt;/a&gt; published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. &lt;br /&gt;&lt;br /&gt;The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.”</text>
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                  <text>Thanks to Tom Tryniski, Fulton History</text>
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                <text>Number 23 on the Burleigh map, the blacksmith shop of Richard Reid (1860-1930) was an important source for the specialized implements of agriculture--both their forging and repair. Reid was born in Canada, then moved to America at age twenty and learned his trade in Batavia, NY. He moved to Caledonia and ran a business there until closing shop in 1920. At the time of his death, aged 69, he still was blacksmithing in the village of Linwood, NY. Reid was a member of Caledonia's Eunice Lodge of the Free &amp; Accepted Masons. </text>
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                <text>1. Caledonia Era, 14 June 1916. &#13;
2. Caledonia Era, 14 May 1902&#13;
Courtesy of Tom Tryniski / Fulton History.</text>
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                <text>Point number 25 on the Burleigh map, the blacksmith shop run by Robert and Duncan Smith first was occupied in 1881, although the family trade dated back decades earlier to their father Duncan (1812-1882)--an immigrant from Inverness, Scotland. Their uncle James Smith (1814-1896) was a blacksmith, as well. During the time of horse-powered transportation their work was crucial to Caledonia; in 1881 the Smith brothers and their cousin James Smith, Jr. received a shipment of forty kegs of horseshoes for their respective shops, about two tons. "It requires a good deal of iron to keep the horses of this cobble stone town in foot wear," wrote the Caledonia "Advertiser" (9 Dec. 1881).&#13;
&#13;
A notice of James Sr.'s passing suggests the strenuous nature of the family trade: "For many years he conducted the blacksmithing business here and was widely known for his honesty, industry and great endurance. Few men have worked more hours of a lifetime, or harder, than he" (Caledonia Advertiser 22 Oct. 1896).</text>
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                <text>Point number 26 on the Burleigh map, the Caledonia Advertiser was founded in 1878 by James Beattie and A[lfred] H. Collins, the latter purchasing sole ownership of the newspaper in 1880. Thereafter, Collins ran the until it merged with the Caledonia Era in 1920 and then he retired in 1922. The paper's politics were assertively pro-business and Republican: this image shows Collins getting out the vote for an off-year election in 1895. His brother, Charles S. Collins, was editor of the Troy Times and the Rochester Democrat &amp; Chronicle.</text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="5980">
                  <text>Thanks to Tom Tryniski, Fulton History</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
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              <text>Newspaper advertisement</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
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              <text>2 x 5 in.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>John Boorman, Wall Paper, Paints, Oils &amp; Artist, Materials</text>
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          <element elementId="41">
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                <text>Number 27 on the Burleigh map, Boorman's store was a frequent advertiser for its many services. The enterprise was started by Thomas Boorman, a Scottish immigrant whose trade of painting and wallpaper led him to open a small store. It grew in size under John Boorman (1867-1927), who seems to have expanded its services, at the time of this map focusing upon wallpapering, painting, custom picture frames, and other home decoration. In later years Boorman was a manager for the Bell telephone company and ran a pharmacy with his brother James. It's quite possible that all of these operations (and more) were parts of a single enterprise--local merchants often wore many hats.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Caledonia Advertiser</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1. 1894-07-12&#13;
2. 1896-12-17</text>
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          </element>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cooper, Ken</text>
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            </elementTextContainer>
          </element>
          <element elementId="48">
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6103">
                <text>Courtesy of Tom Tryniski / Fulton History.</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1. jpeg, 310 KB&#13;
2. jpeg, 494 KB</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6105">
                <text>Newspaper advertisements</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    <tagContainer>
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        <name>Burleigh Litho Co</name>
      </tag>
      <tag tagId="81">
        <name>Caledonia, NY</name>
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        <name>Drugs</name>
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        <name>John Boorman</name>
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    </tagContainer>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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                  <text>Caledonia 1892</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>This collection of images is based upon &lt;a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener"&gt;an 1892 birds-eye panorama of Caledonia, NY&lt;/a&gt; published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. &lt;br /&gt;&lt;br /&gt;The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.”</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
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                  <text>Cooper, Ken</text>
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            </element>
            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="5980">
                  <text>Thanks to Tom Tryniski, Fulton History</text>
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              </elementTextContainer>
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          </elementContainer>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
          <elementTextContainer>
            <elementText elementTextId="6115">
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6108">
                <text>R. Pullyblank, Livery</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6109">
                <text>Number 28 on the Burleigh map, just off of Main Street, the stables of Richard Nelson Pullyblank (1863-1951) date to a time when horse-drawn vehicles were the primary alternative to walking. Established in the late 1880s, his livery was praised by the Caledonia "Advertiser" for the quality of his equipment and service: "A specialty is made in supplying carriages for weddings, funerals, receptions, and other entertainments" (17 Jan. 1895).&#13;
&#13;
The first image dates to 1904, just before automobiles arrived on the scene; the second from 1916 shows that Pullyblank had been forced to adapt his business towards gasoline-powered farming equipment.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="6110">
                <text>1. Caledonia Era&#13;
2. Caledonia Era</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>1. 1904-12-14&#13;
2. 1916-02-23</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6112">
                <text>Cooper, Ken</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6113">
                <text>1. Caledonia Era 14 Dec. 1904&#13;
2. Caledonia Era 23 Feb. 1916&#13;
Courtesy of Tom Tryniski / Fulton History.</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6114">
                <text>1. jpeg, 917 KB&#13;
2. jpeg, 654 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="453">
        <name>Burleigh Litho Co</name>
      </tag>
      <tag tagId="81">
        <name>Caledonia, NY</name>
      </tag>
      <tag tagId="741">
        <name>Livery</name>
      </tag>
      <tag tagId="739">
        <name>R. Pullyblank</name>
      </tag>
      <tag tagId="740">
        <name>Richard Nelson Pullyblank</name>
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      <tag tagId="742">
        <name>Stable</name>
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            <element elementId="50">
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              <description>A name given to the resource</description>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="5977">
                  <text>This collection of images is based upon &lt;a href="https://openvalley.org/files/original/3ae1204165be3bf753a4d31e568da22a.jpg" target="_blank" rel="noopener"&gt;an 1892 birds-eye panorama of Caledonia, NY&lt;/a&gt; published by Burleigh Litho of Troy, NY. According to John William Reps, Lucien R. Burleigh was responsible—whether as artist or publisher—for some 228 lithographic city views (it is possible, even likely that the Caledonia map was executed by an employee named Christian Fausel). Trained as a civil engineer, economic recession pressed Burleigh into finding other ways of making a living. He began city viewmaking during the 1870s and by the mid-1880s was well established in his profession. His usual practice was to work from an available map, determine the most advantageous viewpoint (for a village like Caledonia, typically 1500 feet above the ground), and making small sketches at the street level. Another important task during a two- or three-week stay was soliciting subscriptions for the panorama: it took perhaps 100 persons, each paying $2.50-3:00 for a map, for the project to break even. &lt;br /&gt;&lt;br /&gt;The Burleigh map’s legend provides us with a snapshot of Caledonia in 1892, just recovering from a major fire in 1891. It lists railroad stations, churches, the public school, and even Seth Green’s fish hatchery, but a majority of the numbered locations are commercial enterprises—a likely base of customers for purchasing copies of the completed work. Using old newspapers and trade magazines, this collection has gathered advertising from most of the businesses. Its purpose is to populate an interactive map for the “Heraldry” section of the “Clans of Caledonia” exhibit, where we see immigrant affiliations interacting with national and commercial icons—a complex process of so-called “Americanization.”</text>
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              </elementTextContainer>
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            <element elementId="37">
              <name>Contributor</name>
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                  <text>Cooper, Ken</text>
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            <element elementId="48">
              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="5980">
                  <text>Thanks to Tom Tryniski, Fulton History</text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
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            <elementText elementTextId="6123">
              <text>Newspaper advertisements</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>D.B. McNaughton, Furniture &amp; Undertaking</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Number 30 on the Burleigh map, the McNaughton funeral home had been in the family for many years--as this 1902 advertisement proudly affirms. By the next year Duncan had passed away and his son taken over the business.</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>1. Caledonia Era&#13;
2. Caledonia Advertiser</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1902-07-09&#13;
1892-08-11</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Cooper, Ken</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>1. jpeg, 212 KB&#13;
2.jpeg, 256 KB</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="6122">
                <text>1. Caledonia Era 9 July 1902&#13;
2. Caledonia Advertiser 11 Aug. 1892&#13;
Courtesy of Tom Tryniski / Fulton History.</text>
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        <name>Burleigh Litho Co</name>
      </tag>
      <tag tagId="81">
        <name>Caledonia, NY</name>
      </tag>
      <tag tagId="743">
        <name>D. B. McNaughton</name>
      </tag>
      <tag tagId="744">
        <name>Funeral Home</name>
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    </tagContainer>
  </item>
</itemContainer>
