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                <text>Dr. Gloria Mattera Delivers Slide Presentation</text>
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                <text>Professor in SUNY Geneseo's School of Education was the first director of the Geneseo Migrant Center, an innovative and multifaceted project to "start where the child is," as she later recalled. Eventually this entailed curricular, child care, and in-camp artist programs. Here we see Dr. Mattera delivering a slideshow talk--an important part of her public-facing role. Note her tag showing photo of a "Project Child" to remind participants what is at stake.</text>
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                <text>CAMPS Collection, Genesee Valley Council on the Arts</text>
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                <text>Pictured here is Dr. Gloria Mattera, speaking to an unknown person during a snack break, presumably during a 1969 workshop for the Geneseo Migrant Center. Dr Mattera was well known in both her dealings with the public and in establishing personal relationships. </text>
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                <text>First director of the Geneseo Migrant Center holds two pairs of traditional snowshoes, probably made by the community of the Algonquins of Barriere Lake at Rapid Lake, Quebec. Since the late 1940s they had traveled seasonally to Western New York, where their skills were valued on fur farms--particularly the Bennett Farm in East Bloomfield (which by the 1980s had passed to son-in-law Alan Saxby). Crafting showshoes &lt;a href="https://openvalley.org/items/show/2014" target="_blank" rel="noopener"&gt;was a complex process&lt;/a&gt;, and as such the ones shown--a display? a gift?--had important ceremonial meanings.</text>
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                <text>Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts</text>
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                <text>Dr. Gloria Mattera Works Alongside Geneseo Students</text>
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                <text>Dr. Mattera was a member of the SUNY Geneseo School of Education who created a summer program for "teachers of the children of migrant workers." In 1968 she founded the Geneseo Migrant Center, which evolved into not only a school for children but for adults, and preschoolers as well. The needs of migrants and especially migrant children have been long overlooked, and in Western New York wasn't until Dr. Mattera recognized them that things started evolving.</text>
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                <text>Michalkow, Nikolete </text>
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                <text>Dr. Mattera and Rep. Krupsak in Conversation </text>
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                <text>A conversation between Rep. Mary Anne Krupsak and Gloria Mattera, the founder of the Geneseo Migrant Center, during a staff development event at The State University College at Geneseo. Dr. Mattera developed a summer program for teachers of the children of migrant farmworkers and recognized the need for social services to support them: day care programs, adult education and recreation activities throughout her life.  Rep. Krupsak went on to become a state Senator and later the first woman Lieutenant Governor of New York.</text>
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            <name>Type</name>
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                <text>Still Image </text>
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        <name>Education</name>
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        <name>Geneseo Migrant Center</name>
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        <name>Gloria Mattera</name>
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        <name>Senator Mary Anne Krupsak</name>
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        <name>SUNY Geneseo</name>
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        <name>Teacher Education</name>
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              <text>10 x 8 in.</text>
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                <text>Dr. Mattera At Teachers Workshop</text>
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                <text>Gloria Mattera, founder of the Geneseo Migrant Center, is pictured during a teachers workshop at SUNY-Geneseo titled "Summer Workshop Teachers of Migrant Children"  </text>
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            <name>Creator</name>
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                <text>Cronin, Bill</text>
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            <name>Date</name>
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                <text>1969</text>
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                <text>Fensterstock, Cooper</text>
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                <text>Geneseo Migrant Center</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>CAMPS Collection, Genesee Valley Council on the Arts</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpeg, 1.1 MB</text>
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                <text>Still image</text>
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        <name>Gloria Mattera</name>
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        <name>SUNY Geneseo</name>
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              <text>Marker on paper</text>
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            <name>Title</name>
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                <text>Dr. Robert Farris Thompson Lecture Advertisement </text>
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            <description>An account of the resource</description>
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                <text>Dr. Robert Farris Thompson was a professor of art history Yale University and agreed to be a consultant on the Geneseo Migrant Center's &lt;em&gt;African Past: Migrant Present&lt;/em&gt; Exhibit. He also delivered a lecture at SUNY Geneseo--advertised via this hand-drawn announcement--and later at the 17th Eastern Stream Conference on the Education of Migrant Children in Philadelphia (1987). &lt;br /&gt;&lt;br /&gt;Thompson had been born into a wealthy white family in Texas, when introduction to mambo music during a trip to Mexico changed his life trajectory. He became a musician but professionally a scholar of art across the African diaspora, coining the term "Black Atlantic" to reconceptualize its influence across a wide range of cultures in the Americas. Thompson was particularly noted for his site-specific research and rigorous scholarship at a time when African art was considered "primitive." Not long before his lecture at Geneseo, Thompson had published perhaps his most widely read study, &lt;em&gt;Flash of the Spirit: African &amp;amp; Afro-American Art &amp;amp; Philosophy&lt;/em&gt; (1984).&lt;br /&gt;&lt;br /&gt;&lt;span style="text-decoration: underline;"&gt;Work&lt;/span&gt; &lt;span style="text-decoration: underline;"&gt;Consulted&lt;/span&gt;: Holland Cotter, "Robert Farris Thompson, ‘Guerrilla Scholar’ of African Art, Dies at 88," &lt;em&gt;New York Times &lt;/em&gt;12 Dec. 2021. &lt;a href="https://www.nytimes.com/2021/12/12/arts/robert-farris-thompson-dead.html" target="_blank" rel="noopener"&gt;Link here&lt;/a&gt;&lt;br /&gt;</text>
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                <text>Geneseo Migrant Center</text>
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            <name>Date</name>
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                <text>1986-09-18</text>
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            <description>An entity responsible for making contributions to the resource</description>
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              <elementText elementTextId="17345">
                <text>Wilson, Sawyer</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Unknown</text>
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        <name>Robert Farris Thompson</name>
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        <name>Robert Thompson</name>
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              <name>Title</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." &lt;br /&gt;&lt;br /&gt;Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. &lt;a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener"&gt;Follow this hyperlink to a short introduction to the New Deal Gallery collection&lt;/a&gt;. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.&lt;br /&gt;&lt;br /&gt;Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.</text>
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                  <text>Cooper, Ken (project director)&#13;
&#13;
Ritz, Abigail (photography and project assistant)&#13;
&#13;
Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.&#13;
&#13;
Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Original Format</name>
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              <text>Print etching</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Dr. Sokoloff Conducting</text>
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                <text>jpeg, 1.3 MB&lt;br /&gt;jpeg 299 KB</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Sherman, Effim H. </text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Federal Art Project</text>
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                <text>Helquist, Morgan (photography)</text>
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                <text>New Deal Museum, Mount Morris NY&lt;br /&gt;&lt;br /&gt;Object #FA 1509</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>15 images at &lt;a href="https://art.gsa.gov/search/%22effim%20h.%20sherman%22" target="_blank" rel="noopener"&gt;GSA&lt;/a&gt;.&amp;nbsp;</text>
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        <name>Effirm H. Sherman</name>
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        <name>Federal Art Project</name>
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        <name>Music</name>
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        <name>New Deal Museum</name>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <description>The type of object, such as photograph, map, drawing, painting, etc., and any additional data</description>
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              <text>Notarized affidavit</text>
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                <text>Draft Board Letter, 1918</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This appears to be a notarized copy of a letter by Perry Knitting Co. President George M. Trabor,Sr. on behalf of an employee named Albert Torrey. Torrey is identified as the chief engineer and electrician of the plant, and Trabor is arguing for a deferral on the grounds that Torrey's work is essential to the war effort in Europe. This was a fairly common practice, multiplied many fold during World War II.&#13;
&#13;
Among the interesting facts we learn about PKC in 1918 are that it employs "upwards of nine hundred operatives"; that Torrey runs a power plant of 1200 horsepower; that PKC supplies 30% of the US Army's undershirts, to the tune of 2,000-3,000 dozen per week; and that the plant has "been put on a priority basis by the War Industries Board." </text>
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                <text>Trabor, George M., Sr.</text>
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                <text>Perry, NY Public Library</text>
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                <text>Cooper, Ken</text>
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                <text>Henry Page Historical Documents</text>
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                <text>jpeg, 980 KB&#13;
jpeg, 991 KB</text>
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        <name>Perry Knitting Co.</name>
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        <name>Perry, NY</name>
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                  <text>This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources.&lt;br /&gt;&lt;br /&gt;First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. &lt;br /&gt;&lt;br /&gt;Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years.&lt;br /&gt;&lt;br /&gt;Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or &lt;a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener"&gt;digitized articles from local newspapers&lt;/a&gt;. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti.</text>
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                  <text>Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell.&#13;
&#13;
Special thanks to Jessica Pacciotti at the Perry Public Library.</text>
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                <text>Drawing from Van Vorst's article "The Woman that Toils"</text>
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            <description>An account of the resource</description>
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                <text>Drawing of two women and a chaise titled "after Saturday night's shopping"</text>
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                <text>Bessie Van Vorst</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Everybody's Magazine</text>
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                <text>1902</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Emma Raupp</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Everybody's Magazine</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>jpeg, 637KB</text>
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