18 10 1402 https://openvalley.org/files/original/44dea388580541a154e643b515c8d0d4.jpeg 210e1f9a003d1565e3d8c161c66048b2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Canoncito https://openvalley.org/files/original/3eac22eebbf326fd280a515974dae3e5.jpg 41d4a0be1a5c0774b7cdea6ad8fdbb94 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 7 x 5 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Carl & Lucille Moore in their Backyard at Moore Camp, Wayland Description An account of the resource Carl Moore was the "crew leader" for Roy Gibson's farm near Wayland, NY. What this title meant is that he served as an intermediary between farmer and migrant farmworkers: he recruited them (from Florida) and bused them up to New York; their wages from Gibson passed through Moore. Most crew leaders were notorious for exploiting workers by overcharging them for groceries and liquor; often, they deployed a couple of enforcers to maintain their power. Moore had a reputation as an unusually fair crew leader. In a 1981 article, Donna Balanger, Director of the Wayland Migrant Day Care Center, was quoted as saying that "The camp is more tightly run and the crew boss is fair with his people. What they earn, they get" (Peg Gallagher, "Migrant Workers," Elmira Star-Gazette 25 Oct. 1981: 5B). Creator An entity primarily responsible for making the resource Boettger, Elizabeth Publisher An entity responsible for making the resource available Steuben County Historical Society Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Dunbar, Matthew Format The file format, physical medium, or dimensions of the resource jpeg, 732 KB Type The nature or genre of the resource Still Image Geneseo Migrant Center Gibson Farm migrant housing Moore Camp https://openvalley.org/files/original/fcf264cafd17d6c0ae2680793d21f4f0.jpg a3371b7be93de46a9978990b3319a1b0 https://openvalley.org/files/original/59b31b3ab7c1b0f6feb8df5f6b2eedd8.jpg 8a607262215c1496bf659cecf8634c0e https://openvalley.org/files/original/a5e69c3fc22fcdbe9f8c331cfdbb3a47.jpg 32e2307985d4ee5e83508008cf4ad362 https://openvalley.org/files/original/7c72c614d7920c7ebc8a797df88660ce.jpg ade96a25eac65945c9bab56a95425f65 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Colored lithograph photos Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Castles in the Thousand Islands Description An account of the resource These four images come from a book of 33 views featuring the Thousand Islands, located in the St. Lawrence River as it exits Lake Ontario. Some of the photographs are focused on natural features, but a majority admire larger-than-life "castles" built on individual islands. During the 1880s-90s, wealthy families of the Gilded Age seemed determined to outdo each other in constructing opulent vacation homes that soon were dubbed "Millionaire's Row." The ones included here are as follow: 1. Dark Island Castle, built for Frederick Gilbert Bourne, president of the Singer Manufacturing Company; 2. Castle Rest, built for George M. Pullman, manufacturer of the eponymous railway cars; 3. Boldt Castle, built for George Boldt, general manager of the Waldorf-Astoria Hotel; 4. Thousand Island House, an exclusive hotel whose guests included Andrew Carnegie, Henry Cabot Lodge, and Mark Twain. Publisher An entity responsible for making the resource available Wm. Jubb Co. (publisher) Curt Teich & Co. (lithography) Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://archive.org/details/thousandislandsv00syra" target="_blank" rel="noopener">Thousand Islands: The Venice of America (Wm. Jubb Co.), undated. Courtesy of Queens University / Internet Archive.</a> Format The file format, physical medium, or dimensions of the resource 1. jpeg, 1.5 MB 2. jpeg, 1.2 MB 3. jpeg, 1.3 MB 4. jpeg, 1.4 MB Type The nature or genre of the resource Still image castle Gilded Age St. Lawrence River Watersheds https://openvalley.org/files/original/6d00f879441df36c7adf33b10eef54a1.jpg 5d4f9c6f4a0b5dc422023c2018d9cdce Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Catalog Advertisement Physical Dimensions The actual physical size of the original image 8 x 10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalog from Perry Knitting Company. Description An account of the resource An advertisement for toddlers switch about featuring different prints and designs. Designs include rocket ships and cupid's bow. It never stretches and is easy to put on. Pajamas also come in different colors. Publisher An entity responsible for making the resource available Perry, NY Public Library Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Gatlin, Melisha Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource jpeg, 2.9 MB Identifier An unambiguous reference to the resource within a given context 2838.2 Clark Rice Photography Collection pajamas Perry Knitting Co. Perry, NY toddlers https://openvalley.org/files/original/18360323169d1116f49760547df391e0.jpg d7f870e4275d468def232246654b3bd9 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Perry Knitting Co. Description An account of the resource This collection gathers documents for a Perry Knitting Co. exhibit on OpenValley. They are drawn from from three main sources. First, the Clark Rice Photography Collection at the Perry, NY Public Library. Rice was a prolific photographer in Western New York throughout the mid-20th century. This collection includes scans of his work, and copies of images from the turn of the century photographer Merrium Crocker, whose studio Rice purchased. Secondly, the Henry Page Local History Files. Page was president of First National Bank of Perry, and a local historian associated with the public library for nearly five decades. His uncle, William, had helped secure funding from the Carnegie Corporation for its establishment in 1900 and construction in 1914. The Page collection contains various historical materials and photographs accumulated by him over the years. Thirdly, we draw upon various public domain texts, such as maps from the Library of Congress or <a href="http://perrypubliclibrary.advantage-preservation.com/" target="_blank" rel="noopener">digitized articles from local newspapers</a>. All images here are selections from these collections, chosen for their relevance to OpenValley project. We gratefully acknowledge the generosity of the Perry Public Library and its Director, Jessica Pacciotti. Contributor An entity responsible for making contributions to the resource Meghan Cobo, Ken Cooper, Michaelena Ferraro, Melisha Gatlin, Andrew Gleason, Macaire Lisicki, Ben Michalak, Ethan Pelletier, Emma Raupp, Mariah Rockwell. Special thanks to Jessica Pacciotti at the Perry Public Library. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 8 x 10 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Catalog from Perry Knitting Company. Description An account of the resource Advertisement for different prints for pajamas. There are about a dozen fresh new designs to choose from that suit every age. Publisher An entity responsible for making the resource available Perry, NY Public Library Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Gatlin, Melisha Source A related resource from which the described resource is derived Clark Rice Photography Collection Format The file format, physical medium, or dimensions of the resource jpeg, 5.6 MB Identifier An unambiguous reference to the resource within a given context 2838.3 all ages Clark Rice Photography Collection inclusive patterns Perry Knitting Co. Perry, NY https://openvalley.org/files/original/507511f5ce3f72445497052ef767ad3f.jpg dee8430bd2481eb541e21e8297718025 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Physical Dimensions The actual physical size of the original image 12.5 x 18.7 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cathedral Termite Mounds Description An account of the resource Cathedral termite mounds, Litchfield National Park, Northern Territory, Australia Creator An entity primarily responsible for making the resource David Wall Publisher An entity responsible for making the resource available Alamy Stock Photo Date A point or period of time associated with an event in the lifecycle of the resource 13 May 2011 Contributor An entity responsible for making contributions to the resource McCrohan, Niamh Format The file format, physical medium, or dimensions of the resource jpeg, 60.2 MB https://openvalley.org/files/original/7178a07c64a294edf50b33f0d780be5d.jpg a48fc481289ca914328b04c5dcc0614d https://openvalley.org/files/original/fb91a48d2b882c5051809388f3f3bce3.jpg 0c00e01befd8428d351e55b2d22e2918 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Digital photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cathedral Termite Mounds Description An account of the resource These striking natural structures are created by the cathedral termite (Nasutitermes triodiae) of Northern Australia. The tallest mounds can exceed ten feet in height. They appear in OpenValley as part of the <a href="https://openvalley.org/exhibits/show/green-new-deal--letchworth-ear/5-" target="_blank" rel="noopener">"Open World"</a> exhibit exploring the confluence of natural and human-made art. Creator An entity primarily responsible for making the resource Alan (Flickr user name) Publisher An entity responsible for making the resource available Flickr Date A point or period of time associated with an event in the lifecycle of the resource 2005-07-28 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Used by permission of a Creative Commons 2.0 license. <a href="https://www.flickr.com/photos/kaptainkobold/33624228" target="_blank" rel="noopener">Link here to the original image.</a> Format The file format, physical medium, or dimensions of the resource jpeg, 358 KB Earth Art Green New Deal Letchworth State Park https://openvalley.org/files/original/5b57433c482134bf673f3295b97a75ff.jpg 594d853ead65c6529ac5d3f80f9fbdb9 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Drawing Physical Dimensions The actual physical size of the original image 3 x 4 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Celluloid Lighting Apparatus Creator An entity primarily responsible for making the resource Kadowaki, Motoichi "Roy" (1885-1981) Publisher An entity responsible for making the resource available United States Patent Office Date A point or period of time associated with an event in the lifecycle of the resource 1927-02-08 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://archive.org/details/officialgazette354unit/page/n676">Internet Archive</a> Format The file format, physical medium, or dimensions of the resource jpeg, 112 KB Description An account of the resource Motoichi "Roy" Kadowaki was a Japanese-American artist; four of his paintings are at the New Deal Gallery, Mt. Morris. What we know of him is that his vocation always had to be supported by a variety of service jobs deemed appropriate for Japanese in the early 20th century: cook, waiter, servant. Aside from his extant paintings there are glimpses of a creative, even whimsical vision. This drawing dates to 1926, when Kadowaki filed a patent for "Lighting Apparatus" using a presumably translucent celluloid cockatoo. The description for Patent Application #1,616,579 reads: "In lighting apparatus, the combination of an electric lamp socket support and a lamp enclosing member consisting of a hollow translucent celluloid body of elongated form having a slit adjacent to one end and a hole communicating with said slit for engaging said socket support, and a weight positioned inside one end of said body." Type The nature or genre of the resource Still image Design Motoichi "Roy" Kadowaki New Deal Gallery Painter https://openvalley.org/files/original/129066cf8bc4508bced4de781471705c.jpg 932570e8ccf18d7549e3b5730b670414 https://openvalley.org/files/original/c42d58bd8d33d7877b47ffe2da8011ce.jpg 53866ca7f87f9f7b655a8cf8ae6f147b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil on paper Physical Dimensions The actual physical size of the original image Window: 19 3/4 x 15 3/4 in. Sheet: 21 1/2 x 17 1/2 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Cement Plant Format The file format, physical medium, or dimensions of the resource jpeg, 1.7 MB jpeg, 971 KB Description An account of the resource Three men are working in the yard of a cement and tar factory, located alongside a river; they lean into their work of moving large drums. There are small smokestacks on the building and tugs hauling barges in the background. Wilson uses asymmetrical lines, oriented in different directions, to shape the composition—including rooflines, roadways, river banks, lines of barrels, and even stacked pallets. The factory building is radically compressed into geometric shapes. Considering its industrial subject matter, the painting’s earth tones and splashes of pastel colors are visually pleasing and harmonize with the river and buildings on the opposite shore. The distinctively shaped bridge suggests that it might be one located at Hell’s Gate, in which case there is an intriguing historical possibility: at this time, WPA funds were constructing <a href="https://openvalley.org/items/show/2175">a massive swimming complex at Astoria Park</a> that required a lot of concrete. Juxtaposing that job site and Wilson’s painting clarifies the choices he made to idealize the worth of public works and a return of employment. Note: records indicate that this painting was allocated to "Sen. Buckley." This may have been <a href="https://en.wikipedia.org/wiki/John_L._Buckley" target="_blank" rel="noopener">John L. Buckley</a>, who represented NY State Senate District 15 between 1927 and 1942. Creator An entity primarily responsible for making the resource Wilson, Sol (1893 - 1974) Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1936 Contributor An entity responsible for making contributions to the resource Hudson, Timothy (description) Helquist, Morgan (photography) Source A related resource from which the described resource is derived New Deal Museum, Mount Morris NY Object #FA 138 Type The nature or genre of the resource Still image Astoria Park Federal Art Project Hell Gate Bridge New Deal Museum painting Sol Wilson https://openvalley.org/files/original/ef459343545f8528f57c64074b00876d.JPG 368c36020d31be71317b3006b7e7347d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Deal Gallery Description An account of the resource This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame. Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options. Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Cooper, Ken (project director) Ritz, Abigail (photography and project assistant) Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee. Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Oil painting Physical Dimensions The actual physical size of the original image 20 x 24 in. Condition: slightly pitted, surface dirt Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Central Park Creator An entity primarily responsible for making the resource Spurbeck, John S., 1911-1993 Publisher An entity responsible for making the resource available Federal Art Project Date A point or period of time associated with an event in the lifecycle of the resource 1935-1940 Contributor An entity responsible for making contributions to the resource Ritz, Abigail (photographer) Sheedy, Marianna (biography) Cooper, Ken (biography) Source A related resource from which the described resource is derived New Deal Gallery, Genesee Valley Council on the Arts Object #FA18274 Format The file format, physical medium, or dimensions of the resource jpeg, 979 KB Type The nature or genre of the resource Still image Description An account of the resource The painting captures NYC’s Central Park on a shadowy afternoon. Cool purples, blues, and greens make up the majority of the image. Trees, bushes, and greenery blend into buildings and cares that make up the city skyline in the background, producing a sense of fluidity. In the foreground, a bridge with coursing river underneath divides the painting. Behind the bridge, the perspective appears to be flattened, almost as if to create dissonance. About the Artist: Born in Duluth, MN, where his father worked as a train dispatcher for the railroad, Spurbeck studied at the Minneapolis School of Art and later at the Art Institute of Chicago. In 1935 he relocated to New York, producing work in oils, water colors, and portrait sketches. It is possible that Spurbeck may have spent some time at the University of Rochester before eventually relocating to Maryland. In 1940 he took a position as director of the illustration division at the Johns Hopkins University, working both an artist and <a href="https://pdfs.semanticscholar.org/5db4/596005924d5b8a51b9b1d90f333926f43c54.pdf" target="_blank" rel="noopener">photographer</a> for the biology department, contributing medical illustrations of equipment and specimens. Spurbeck’s wife, Mary (née Rawles), worked as a staff member for the <a href="https://onlinelibrary.wiley.com/doi/pdf/10.1002/aja.1000970104" target="_blank" rel="noopener">embryology department</a> of the Carnegie Institution of Washington, which was also located on the Johns Hopkins campus. The couple retired together in 1966 to Emporia, VA, Mary’s hometown, where he continued to paint, draw, and sculpt. Identifier An unambiguous reference to the resource within a given context 181 Federal Art Project John Spurbeck New Deal Gallery painting