15 10 1402 https://openvalley.org/files/original/b030fb15865db4f556d78c48e3ff5569.mp4 38d329fc69f157a69d11a3b5b090c6ea https://openvalley.org/files/original/4bfaae9dee2381329315ec37ea6027fe.mp4 3eb3a7620652a6ae3295afdce47aba46 Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Digital video Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 103 seconds Compression Type/rate of compression for moving image file (i.e. MPEG-4) MPEG-4 Producer Name (or names) of the person who produced the video Duncan, Dayton Burns, Ken Dunfey, Julie Director Name (or names) of the person who produced the video Burns, Ken Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Trailer for "The Dust Bowl" Creator An entity primarily responsible for making the resource Burns, Ken (director) Duncan, Dayton (writer) Publisher An entity responsible for making the resource available PBS Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Cooper, Ken Format The file format, physical medium, or dimensions of the resource MPEG-4, 21.1 MB Description An account of the resource Four-part documentary miniseries focused primarily on the central and southern Great Plains states, using Burns' familiar style of interviews, photographs, voice-overs, and period music. The trailer is included in OpenValley in support of its "Green New Deal" exhibits. 1930s documentary Dust Bowl film Ken Burns https://openvalley.org/files/original/869116120eafe4515347a9d09a136de1.jpg 1ba42b83c754bec221fb9db762765c27 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data photo Physical Dimensions The actual physical size of the original image 2048 x 1443 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surgery Theater Description An account of the resource Black and white photo of a surgery theater, the second level of which is barely visible. Creator An entity primarily responsible for making the resource Burns, Stanley Publisher An entity responsible for making the resource available New York Times Date A point or period of time associated with an event in the lifecycle of the resource 1899 Contributor An entity responsible for making contributions to the resource Burns, Stanley Gates, Rebecca Source A related resource from which the described resource is derived Burns Archive, online Format The file format, physical medium, or dimensions of the resource jpeg, 802 KB Type The nature or genre of the resource Still Image 19th Century doctor lecture medicine Science https://openvalley.org/files/original/3f5b7c4adbe42205e9ad4c7d635bb8de.jpg 561fbbffc518cd14e04c1028f5b72bc2 https://openvalley.org/files/original/2cb80d0de9029ce034c15ccc81c6ca54.jpg 6a93d06b5036c29b181730523f4b5668 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Map Physical Dimensions The actual physical size of the original image 15 x 16 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map of Monroe County NY, 1829 Description An account of the resource Early map of area settlement shows mills, principal roads, churches, etc. Creator An entity primarily responsible for making the resource Burr, David H. Publisher An entity responsible for making the resource available D. H. Burr Date A point or period of time associated with an event in the lifecycle of the resource 1829 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived David Rumsey Historical Map Collection Format The file format, physical medium, or dimensions of the resource jpeg, 903 KB jpeg, 3.4 MB Type The nature or genre of the resource Map Map Monroe County https://openvalley.org/files/original/d760ffbc6852aa152a7300e4f10c48d8.jpg 0378774111b577cbc56c55ae68736ef5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mills of Genesee Valley Description An account of the resource Before the commercial extraction of fossil fuels from the Oil Creek region of northern Pennsylvania, most mechanical work in the Genesee Valley was done by human and animal power, or some source ultimately derived from the sun: burning wood, wind power, or flowing water. The exception to this, of course, was coal--by the 1880s America's dominant source of energy. Due to the Genesee region's ample supply of wood and running water, along with the cost of shipping coal, it's quite common to find instances of various water mills in the area's history. They were adapted to a wide range of uses: cutting wood into timber and milling it into specialized shapes (lumber mill); grinding corn into animal feed or for distilling alcohol (grist mill); grinding wheat or other grains (flour mill); creating boxes and other products from wood pulp (paper mill); fabricating metals (triphammer mill); powering industrial equipment (textile mill); and by the 1880s creating electricity via turbines. This collection gathers various documents concerning mills in the Genesee Valley. In addition to images and written texts, there is also an interactive map illustrating the density of their usage during the mid-nineteenth century. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Paper map Physical Dimensions The actual physical size of the original image 11.8 x 15.7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mills Along Conesus Creek, 1829 Description An account of the resource Detail from David H. Burr's "Map of the County of Livingston" shows the location of five different mills via icon. Captions have been added to identify their names. Creator An entity primarily responsible for making the resource Burr, David H. (1803-1875) Publisher An entity responsible for making the resource available Rawdon, Wright & Co Date A point or period of time associated with an event in the lifecycle of the resource 1829 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived David Rumsey Map Collection Format The file format, physical medium, or dimensions of the resource jpeg, 2.1 MB Type The nature or genre of the resource Map Conesus Creek Conesus Lake David Burr Genesee River Glen Avon Mills Map mills Triphammer Mill https://openvalley.org/files/original/fcb02c92db238dc4045b831e2e7eaf17.jpg 86284a20ca8af0627b37a6bc301d842a https://openvalley.org/files/original/c460f612d5265be5b3e45adb94a87648.jpg 6a93d06b5036c29b181730523f4b5668 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Map Physical Dimensions The actual physical size of the original image 15 x 16 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Indian Landing" site, Irondequoit Creek Description An account of the resource 1829 map depicts at bottom center the primary water access to Genesee Valley from Lake Ontario, via Irondequoit Bay (here mislabeled as "Teoronto"). Nearby was the early colonial settlement of Tryon. At top center, a ferry route is indicated across the bay, connecting the west and east Ridge Road. Creator An entity primarily responsible for making the resource Burr, David H. (1803-1875) Publisher An entity responsible for making the resource available D. H. Burr Date A point or period of time associated with an event in the lifecycle of the resource 1829 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived David Rumsey Historical Map Collection Format The file format, physical medium, or dimensions of the resource jpeg, 423 KB jpeg, 3.4 MB Type The nature or genre of the resource Map Brighton, NY Irondequoit Bay Irondequoit Creek Map Monroe County trail https://openvalley.org/files/original/3cb7aea29842bbc943d2a465fc66308b.jpg 6726e63d292fc8c5e263cf16f3418c79 https://openvalley.org/files/original/e57c489e527d0e73cbf0c0d8ec73302f.jpg e426c67f2b22ed0bc527f25e83191729 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Map Physical Dimensions The actual physical size of the original image 45 x 45 cm. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Map of the County of Cattaraugus Creator An entity primarily responsible for making the resource Burr, David H. (1803-1875) Publisher An entity responsible for making the resource available D.H. Burr Date A point or period of time associated with an event in the lifecycle of the resource 1829 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived <a href="https://www.davidrumsey.com/luna/servlet/detail/RUMSEY~8~1~20054~510050:Cattaraugus-County-?sort=Pub_List_No_InitialSort%2CPub_Date%2CPub_List_No%2CSeries_No&qvq=q:cattaraugus;sort:Pub_List_No_InitialSort%2CPub_Date%2CPub_List_No%2CSeries_No;lc:RUMSEY~8~1&mi=1&trs=5#">David Rumsey Historical Map Collection</a> Format The file format, physical medium, or dimensions of the resource jpeg, 4 MB jpeg, 730 KB Type The nature or genre of the resource Map Description An account of the resource Southwestern county, part of the 1794 Treaty of Canandaigua that extinguished most Seneca nation land rights, is shown here not long after its incorporation in 1817. Remnants of Senecas land are visible as the Cattaraugus Reservation (at upper left) and the Allegheney Reservation (alongside the river). Although the county's population still was sparse we see townships laid out already on Burr's map--particularly surrounding Olean, whose location on the Allegheney River made it a desirable trading post. Along with existing villages, county roads, and water features (the legend mentions stage roads, mills, forges, and churches, but none appear on the map). This item consists of Burr's county map and a cropped version focusing upon the Allegheney River, the latter used for the <a href="https://openvalley.org/exhibits/show/watersheds">Watersheds</a> exhibit. Allegheny River Cattaraugus County David Burr Watersheds https://openvalley.org/files/original/a3e240616b85e5dd0f8cb196e45a806a.jpg 4554bee62be8a719d71b89a5818c2bd8 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Woodcut on paper Physical Dimensions The actual physical size of the original image approx. 11 in. x 17 in. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "A grand ball" Description An account of the resource Folks from all walks of life and in all parts of the country enjoyed parties, dancing, and balls in 19th-century America. The caption on this wood engraving, which appeared in Harper's Weekly in 1869, reads "Grand Ball Given in Honor of President Grant at the Stetson House, Long Branch July 26." Creator An entity primarily responsible for making the resource Bush, Charles Green (1842-1909) Publisher An entity responsible for making the resource available Harper's Weekly Date A point or period of time associated with an event in the lifecycle of the resource 1869-08-14 Contributor An entity responsible for making contributions to the resource Suhr, Katrina Source A related resource from which the described resource is derived Harper's Weekly, Aug. 14, 1869: 520. Format The file format, physical medium, or dimensions of the resource jpeg, 136 KB Type The nature or genre of the resource Still image 19th Century Balls (Parties) Dancers Dancing Socials https://openvalley.org/files/original/8c87755085932dd2242facc794abc501.docx c6f3ec421d819e9f752c6aa2071a572a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document CHELSEA: What was it like moving? You were in Dansville correct, before you moved to Geneseo? CATHERINE: Well… I was in with my son- I didn’t have a place, I was looking for something. CHELSEA: So how was it different moving to Geneseo? CATHERINE: Well I didn’t really plan on moving to Geneseo and I wrote a story about that too: I planned on moving to Batavia ‘cause I had a child in Buffalo, and a child in Rochester, and a child in Dansville and if you look at the map Batavia’s right in the middle and so I thought that was the place to go but I didn’t like Batavia -it’s not a city and it’s not a little town- and I’d never heard of Geneseo, but one time I was coming back -I was staying with my son in Dansville- so when I was coming back I got off three ninety and came through town and so I said when I got down there, I said “I think I’ll go up to Geneseo and look around tomorrow.” And he goes “Oh mom, you don’t want to move there- that’s a college town.” So I said “Well I’ll go up and see,” and I had an apartment by noontime! I lived down and back of the Ponderosa, where the Ponderosa was, there are apartments there. And so what I did when I came up was I went to the store and got a penny-saver, and I went to Burger King and looked for apartments and then at that point Wegmans was down in that -where the Goodwill is now- there was a Wegmans store. So I went over there and used the phone booth and I said “I read this ad about an apartment and I wanted to see it,” and it was on Jacqueline Way- do you know where Jacqueline way is? Well, anyway I asked her where Jacqueline Way was and she asked me where I was, and I said “I’m in the phone booth by Wegmans,” so she said “Well if you walk out of the booth and go straight ahead you’re on Jacqueline way.” It’s that street where the apartments are. CHELSEA: Yea, I think I know where that is… CATHERINE: Well, if you went out of the Goodwill door and went straight -not up by 20-A but straight across- that’s the apartments. CHELSEA: So what made you decide to get an apartment so quickly in Geneseo? CATHERINE: I don’t know: I just wanted to look at it and I liked everything about it so I rented it. You get tired of rooming around sometimes- so I stayed there for four years and then I had the house built. CHELSEA: So what’s it like living in a college town? CATHERINE: Oh I think it’s wonderful, yea there’s always something to do down there. I went down to that -what is it at the beginning of the year with all music programs?- the singing and the- I forget what they call it, but it’s just a little taste of the musicians and … CHELSEA: Oh of each group? That’s the Kaleidoscope concert that they have for parent’s weekend. CATHERINE: Yeah that’s it, I couldn’t think of the name. Do you go? CHELSEA: I went the first two years, and since then I’ve been going to the actual performers that I liked the most, their shows. CATHERINE: But it’s like a little sample, have you been? CHELSEA: No I didn’t get to go- my friend played in it though but I’ll be there next year. CATHERINE: Okay good! [laughs] But I like the plays… and it’s really good. CHELSEA: So you said after you went to Geneseo for a bit you went got your degree… CATHERINE: No, I got my degree before I came up here- an Associate’s degree. And I never got a degree from here because you can sit in on the classes but you don’t get a grade. CHELSEA: So when did you get your Associate’s degree? CATHERINE: I was sixty years old: I went back to college after my husband died with a girlfriend and we graduated together. But we were taking just a course at night- like I say, the last year we had to take a full course at the community college but that was the only time I took four subjects at one time and that’s hard! It’s like every teacher thinks they’re the only ones giving you homework! [laughs] CHELSEA: Or when they make their tests they’re all in the same area of time. Um-hm. What your degree in? CATHERINE: Liberal arts, and then when I started taking classes down here I only took English classes I think and some history. CHELSEA: Just the interesting ones! CATHERINE: Yea right, something I enjoyed. And that’s another thing, I know you don’t enjoy all your classes: there are favorites and there are not. CHELSEA: It seems like you’re really involved around Geneseo as well, you’re in a lot of clubs and stuff. Yeah I really like the town. What are you involved with? CATHERINE: Well, the senior citizens- I was involved with the Red Cross for a long time but not so much anymore. Did you go to the craft fair this weekend? Well I was kind of missing it ‘cause I was away: it’s a fabulous craft fair, they have really nice crafts and a lot of ‘em. And I have always worked at it, taking money when they come in, and that’s fun because it’s very, very business so they give you the money as fast as you can take it and that was fun. So this year I didn’t and kind of missed it. CHELSEA: Have you ever gone to the craft show in Letchworth? They have it Columbus weekend. CATHERINE: Oh yes! CHELSEA: My mom and I went the one year- that is a craft show! CATHERINE: That is a craft show! Well, the Red Cross isn’t that great because it’s all in that one building. It’s all in this armory here. But the one over in Letchworth- I went one time with my girlfriend and we were stuck in traffic near Brian’s restaurant and we decided not to go. I mean we were there for maybe an hour and a half and we got up to the entrance and said forget it! I don’t know where they were parking them, but it happened to be a really nice day and that’s what happened. So this year I didn’t even try but the crafts are beautiful, absolutely, I think they must have to show what they do- no glue, no glue-gun. Have you ever been? CHELSEA: No I haven’t, but I like going to craft shows at home. CATHERINE: Well this one is like the mother-of-all craft fairs: ‘cause they have photography and quilts and paintings and flower arrangements- really nice stuff. CHELSEA: So what else are you involved in? CATHERINE: Let’s see, have you ever heard of- I think I told you two a little bit about the Monday evening class. That’s great. And… oh red hats- that’s supposed to be just a fun things and it is. The reason that started is -why I started with the red hats- I was an ombudsman for a nursing home and I don’t know why they ever used that word, it’s just an advocate. You go over and visit them and you’re supposed to record any complaints that the residents have and then you turn in to the Office for Aging. And the state comes and inspects those homes once or twice a year, maybe a few times more but- but anyway, when the state men come down they go to the Office for Aging first, and they read your complaints, like if somebody had been sores and they weren’t being taken care of or they tied ‘em in a chair. They used to do those horrible things, but now they don’t so much. You’re not allowed to strap ’em down in bed but that’s what they used to do… ‘cause they wander at night- it’s really a problem for them too. And the nurses and -or the aides more of than the nurses actually- have a really hard job. I said one time they’re the ones that needed the advocate. But anyway: we quit at the same time, there were about five of us. And we used to go out -we had a meeting once a month- and we used to go out for breakfast afterwards. So this one girl decided she was really gonna miss the breakfasts, so that’s when she suggested that we all join the red hats- and that’s the only time I see those women now. Usually we just go for lunch once a month, and that’s the only time I see them. CATHERINE: What made you come here as a college student? CHELSEA: Well I don’t know, I guess it’s a nice little town and I liked that there’s a main street and at the same time it’s just very beautiful and not in a chaotic place. I liked that the campus was small and that the area was pretty, and [also] the school itself. [. . .] I think it’s nice that Geneseo is a college because I feel like that keeps the small businesses in the area alive. CATHERINE: I think so too. But little stores do have their advantage and Walmart -I’m not a Walmart fan at all- but they pay somebody to stand at the door and greet you- he doesn’t know you from Adam. You walk into one [of the small stores] and they don’t know your name either but- what’s the name of that variety store…I can never remember it down here…I don’t know whether you know it but the fellow that runs Sundance, it’s his wife [in] the department store up the street that has all the really neat little gifts… Oh is it Touch of Grayce? Yes, the Touch of Grayce. You walk in the Touch of Grayce- if you went in there once a month they get so they know you, they don’t know your name but they do know you, they recognize you. And sometimes they know your name, Sundance knows my name- I don’t know any other store that’s like that… I go to that diner to have breakfast there and the waitress knows my name but it’s- you can’t pay someone to do that and that’s what Walmart is doing. I mean he’s doing his job: he’s saying “hello, hello!” [laughs] CHELSEA: It’s just funny that a job like that exists. CATHERINE: Well, that’s why it does exist because Sam -I wonder about Sam Walton because I’ve read stories about him, I wonder what he would think of Walmart really, because that wasn’t his intent I don’t think- he did want that friendly atmosphere and like I say that’s nothing you can buy. It’s gotta be sincere or it doesn’t work. CHELSEA: Yeah that’s why small towns are nice, I like that: I just ordered a CD the other day from a music store on Main St. and they called me. It was nice ‘cause they don’t always call you about… CATHERINE: It is nice! And there’s a florist shop too that the woman is very friendly and she’s got a lot of really super gifts. You go in Walmarts, yeah they have a lot of gifts… I remember last Christmas I went in there- it was overpowering, but there wasn’t one thing there that was really Christmas: it was plastic, red, fake! But I don’t know whether you’ve ever been to that -I think it’s called the Genesee- the flower shop, a young girl runs it. She’s got a lot of nice gifts in there. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Interview of Catherine Robin Description An account of the resource Catherine Robin tells her experience of moving into town with SUNY Geneseo’s organization “Heard @ Geneseo.” She grew up in Dansville but moved to Geneseo, despite it being a college town. The oral interview was taken and transcribed by Chelsea Butkowski, and it was later revised by Jordan Keane. Creator An entity primarily responsible for making the resource Butkowski, Chelsea Date A point or period of time associated with an event in the lifecycle of the resource 2011-11-24 Contributor An entity responsible for making contributions to the resource Robin, Catherine; Keane, Jordan Format The file format, physical medium, or dimensions of the resource doc, 33.3 KB Type The nature or genre of the resource Interview Geneseo Interview Underground Atlas https://openvalley.org/files/original/c23e761b67878dc3a60cf29a67d45e6f.jpg 7b194b3cfac175d9ce5e76676aff13c9 https://openvalley.org/files/original/da816844dfda431740eed1e8860fe4c2.jpg 37b764eb460e095d27688ea43736eb27 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Downtown Cripple Creek, Colorado Description An account of the resource Small mining town, located at nearly 10,000 feet, is best known for its gold rush history. This photograph appears in OpenValley because the Perry Knitting Company calculated that its production of Nitey Nite sleepers in 1952, if laid end to end, would total 1,788 miles in length. So Cripple Creek it was! The statistic appears on <a href="https://openvalley.org/files/original/56f72811c6320ed209360c4698a1f164.jpg" target="_blank" rel="noopener">an advertisement for an open house</a> held at the mill in 1953. This item contains both the original color photograph and a b & w version created for <a href="https://openvalley.org/exhibits/show/perry-test/welcome" target="_blank" rel="noopener">an exhibit</a> on the Perry Knitting Company. Creator An entity primarily responsible for making the resource Butterfield, Chalmers Publisher An entity responsible for making the resource available Wikimedia Commons Date A point or period of time associated with an event in the lifecycle of the resource 1957 Contributor An entity responsible for making contributions to the resource Cooper,Ken Source A related resource from which the described resource is derived <a href="https://commons.wikimedia.org/wiki/File:Cripple_Creek,_Colorado,_1957,_Kodachrome_by_Chalmers_Butterfield.jpg" target="_blank" rel="noopener">Courtesy Wikimedia Commons</a> Format The file format, physical medium, or dimensions of the resource jpeg, 941 KB jpeg, 1 MB Type The nature or genre of the resource Still image Cripple Creek, CO Nitey Nite Open House Perry Knitting Co. https://openvalley.org/files/original/7af63766930f1768351adf11fe6d4be9.jpg 305965446c1cfe60bd5c14f629def363 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as photograph, map, drawing, painting, etc., and any additional data Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fire Fiend Description An account of the resource Headline from the weekly Caledonia "Advertiser" describes a major fire that destroyed much of the village's commercial district and the Moss House hotel in 1891. <a href="http://fultonhistory.com/Newspaper%2011/Caledonia%20NY%20Advertiser/Caledonia%20NY%20Advertiser%201890-1894%20Grayscale/Caledonia%20NY%20Advertiser%201890-1894%20Grayscale%20-%200054.pdf">The story goes on to enumerate</a> some of what was lost: "The fire cleaned out two groceries, one with a stock of boots and shoes, one hardware and tin shop, a barber shop, pool room, two dressmaking establishments, one dentist, one law office, two drug stores, one saloon, two hotels, a shoeshop, three private dwelling places, two livery barns, one tailor shop, one boarding house, and one jewelry shop. What village of this size in western New York has suffered a like loss? It was all done in three hours’ time." Due to several other suspected cases of arson in the prior year, the newspaper raised that question again and criticized the as-yet unincorporated village's fire department. Within a few short months a charter had been approved, the block had been rebuilt, and the arson attacks continued. Creator An entity primarily responsible for making the resource Caledonia Advertiser Date A point or period of time associated with an event in the lifecycle of the resource 1891-01-12 Contributor An entity responsible for making contributions to the resource Cooper, Ken Source A related resource from which the described resource is derived Caledonia Advertiser 12 Feb. 1891: 3 Courtesy Tom Tryniski / <a href="http://fultonhistory.com/">Fulton History</a> Format The file format, physical medium, or dimensions of the resource jpeg, 231 KB Type The nature or genre of the resource Newspaper article Caledonia Advertiser Caledonia, NY fire Fire Companies