Browse Items (64 total)

From slightly above a table, we look down upon a vase of trumpet lilies playing in all directions, their green foliage lush. A dark background adds dramatic contrast the white lilies. Next to the vase is a figure wearing a helmet or headress with a…

Some elements of this watercolor are abstract and patterned: the green leaves at left, the tablecloth, wallpaper background, and even the vase’s outline. Other elements, however, show careful attention to modeling and texture, like the orange. Palter…

Not rendered with perfectly accurate optics, Archer’s still life nevertheless is a creative study in perspective and visual planes. Upon a table covered by the eponymous checkboard-patterned cloth, a crystal decanter and copper teapot sit…

A photograph doesn’t do justice to Sarkadi’s deft use of color and texture upon his paper medium. Were the painting’s few splashes of white removed, we would see three stems of tulip, along with a bit of greenery, in a glass jar set inside of a bowl.…

The vividness of this still life is the result of its muted brown background, combined with Rollo’s free use of white paint to highlight the tips of flowers in a vase. Shadows from light at the left side of his painting are minimized, creating an…

This vividly colorful painting has a lot going on. As with Preachen’s “Still Life on a Balcony,” space is radically discontinuous here: flowers, table covering, fields, and sky each occupy their own flat plane; the dark brown stoneware pitcher…

In its objects, archictecture, and visual style, this painting gestures back to earlier centuries of allegorical still lifes. On this side of an ornate railing, the seeming bounty is undermined by intimations of suffering (gladiolus), overconsumption…

A vividly colored grouping avoids any appearance of symmetry or regularity of shape—even a painted plate isn’t circular. Likewise, mottling seems part of Preachen’s design as if to demonstrate that beauty can be irregular. Reds and oranges dominate…

At upper left are the flowers of this still life’s putative title, but it still doesn’t account for the majority of Preachen’s composition. Their bright orange petals activate several objects in a similar tone (fruit, a piece of fabric, a painted…

All five of the Pecci paintings at the New Deal Gallery shuffle elements from each other, such as a table perhaps common to all. In this still life, a pictorial jug from his “Fruit and Flowers (1)” receives a 90-degree turn so that its handle can be…