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var str = 'Aerial View of Potsdam, NY';
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var str = 'A 19th-century gazetteer described Potsdam, located on the Raquette River, as having \"a great variety of beatiful situations\" and in particular a waterfall near the center of town. During that time its uses were directed primarily to milling Adirondack lumber. Today, however, the interest is perhaps more scenic. In this photo we see Fall Island and upon it Trinity Episcopal Church, built in 1835 then expanded in 1886 using the area\'s distinctive red Potsdam sandstone.';
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Avadikian, Jesstine
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var str = 'Courtesy of Jesstine Avadikian / SUNY Potsdam';
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var str = '2018';
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var str = 'Cooper, Ken';
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The Raquette River has its headwaters at the outlet of Raquette Lake, in the Adirondack Mountains, and flows 146 miles to the St. Lawrence River. It passes through numerous marshes and small lakes; both before and after European arrival, it has been considered an important travel route through the area--although now primarily by recreational paddlers. Note: this image has been slightly cropped for the purposes of the <a href="https://openvalley.org/exhibits/show/watersheds/st--lawrence-river" target="_blank" rel="noopener">"Watersheds"</a> exhibit. See below for link to original photograph.
Stein, Devin
<a href="https://www.flickr.com/photos/101260638@N07/23306205755" target="_blank" rel="noopener">Courtesy of Devin Stein, via Flicker</a>
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var str = 'Castles in the Thousand Islands';
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var str = 'These four images come from a book of 33 views featuring the Thousand Islands, located in the St. Lawrence River as it exits Lake Ontario. Some of the photographs are focused on natural features, but a majority admire larger-than-life \"castles\" built on individual islands. During the 1880s-90s, wealthy families of the Gilded Age seemed determined to outdo each other in constructing opulent vacation homes that soon were dubbed \"Millionaire\'s Row.\"
The ones included here are as follow: 1. Dark Island Castle, built for Frederick Gilbert Bourne, president of the Singer Manufacturing Company; 2. Castle Rest, built for George M. Pullman, manufacturer of the eponymous railway cars; 3. Boldt Castle, built for George Boldt, general manager of the Waldorf-Astoria Hotel; 4. Thousand Island House, an exclusive hotel whose guests included Andrew Carnegie, Henry Cabot Lodge, and Mark Twain.';
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<a href="https://archive.org/details/thousandislandsv00syra" target="_blank" rel="noopener"><em>Thousand Islands: The Venice of America</em> (Wm. Jubb Co.), undated. Courtesy of Queens University / Internet Archive.</a>
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Curt Teich & Co. (lithography)';
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Despite inscription on the photo, probably what's shown is Sloat's Dam located a few miles upriver in Rockland County, NY. The structure was built in 1792 by Isaac Sloat for the purposes of milling, and was approximately four feet high by 200 feet in width. In 2000 it was listed on the <a href="https://en.wikipedia.org/wiki/Sloat%27s_Dam_and_Mill_Pond" target="_blank" rel="noopener">National Register of Historic Places.</a>
<a href="https://www.hrvh.org/cdm/ref/collection/nyacklib/id/1095" target="_blank" rel="noopener">Courtesy of Nyack Library Local History Room</a>
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var str = '1900-05-05';
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var str = 'Greenwood Lake';
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var str = 'Cropsey, initially trained as an architect, turned to painting in the style of Thomas Cole\'s sublime renderings of nature. He traveled in the Northeast and Europe, gaining recognition for his increasingly vivid fall hues and more restful settings. Here we see a lake whose shoreline is shared by the states of New York and New Jersey. A group of visitors appreciates the view in foreground, with forests in early autumn and pristine waters. Crossing the lake is a steamship—which as it happens had commenced operations two years earlier due to a growing tourist industry on the lake. Like other paintings of this era showing (for example) a railroad passing through natural landscapes, even small details indicate ambivalence.';
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Cropsey, Jasper Francis, 1823-1900
<a href="https://americanart.si.edu/artwork/greenwood-lake-5976" target="_blank" rel="noopener">Smithsonian American Art Museum</a>
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var str = '1875';
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var str = 'Seneca Lake';
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This small watercolor uses a technique Dove called "extraction": abstracting from some landscape only those elements necessary to render it. Here we see a few lines of ink used to trees, clouds, and a power line; watercolor and gouache then complete the forms. Horizontal layers effectively capture the distinctive long shapes and surrounding hills of New York's Finger Lakes region.<br /><br />Dove was born in Canandaigua to a wealthy family, graduating from Cornell University and expected to follow a career appropriate to that education. Instead, he worked in commercial illustration and traveled to Europe; eventually upon returning to America he became friends with photographer and gallery owner Arthur Stieglitz, who encouraged his experiments with abstraction.
Dove, Arthur, 1880-1946
<a href="https://www.metmuseum.org/art/collection/search/488539" target="_blank" rel="noopener">Metropolitan Museum of Art</a><br /><br /> Via <a href="https://commons.wikimedia.org/wiki/File:Seneca_Lake_MET_DP234290.jpg" target="_blank" rel="noopener">Wikimedia Commons</a>
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var str = 'Metropolitan Museum of Art';
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var str = '1935';
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var str = 'The Grotto and Cavern Cascade, Glen Alpha';
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var str = 'This stereocard was part of the \"Artistic series, scenery at Watkins Glen and vicinity, N.Y.\" The picturesque series of falls and rock formations became a popular destination during the post-bellum period, and many other such images were created. This item consists of a cropped and enhanced single image, and the original stereoview card.';
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The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. " <a href="http://digitalcollections.nypl.org/items/510d47e1-e010-a3d9-e040-e00a18064a99" target="_blank" rel="noopener">http://digitalcollections.nypl.org/items/510d47e1-e010-a3d9-e040-e00a18064a99</a>
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var str = '1860-1890';
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var str = 'jpeg, 462 KB
jpeg 958 KB';
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var str = 'Keuka Lake';
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var str = 'Photo captures much of what is distinctive about New York\'s Finger Lake region: long, glacially carved lakes; open vistas from which to behold them; and agriculture benefiting from the deep water\'s moderating influence upon temperature. The location of this photograph is not far from the winery of Dr. Konstantin Frank, a pioneer viticulturalist and important influence upon the state wine industry. Note: this photograph has been slightly cropped from the original.';
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See 1, Do 1, Teach 1 [screen name]
<a href="https://www.flickr.com/photos/mpaulmd/37732410972/" target="_blank" rel="noopener">Attribution 2.0 Generic (CC BY 2.0) via Flickr</a>
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var str = 'Hill was the son of a well-known commercial lithographer, and was only 17 years old when he created this and other watercolors of the Erie Canal with an eye toward eventual publication. That never came to pass, but as historical documents the somewhat stylized paintings still are invaluable, in this case just five years after the canal opened.
Here, we see two vessels passing each other along an unspecified stretch of the canal: a packet boat carrying several wealthy travelers, and a barge carrying what appears to be a load of stone. On the towpath, \"hoggees\" drive mules used to pull the boats. Within this one stretch there are two low bridges, over one of which a farmer is driving pigs from one field to another. It\'s clear that many different social and economic interests are in play, yet the overall effect is harmonious.';
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Hill, J[ohn] W[illiam], 1812-1879
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection, The New York Public Library. <br /><br /><a href="http://digitalcollections.nypl.org/items/510d47d9-7ba7-a3d9-e040-e00a18064a99" target="_blank" rel="noopener">New York Public Library Digital Collections.</a>
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This painting, seemingly located on the upper Mohawk River, assumes a timeless, mythical quality. Bierstadt was one of several second-generation Hudson School artists associated with "luminism," a technique using aerial perspective and moisture-saturated air to create an otherworldly glow. <br /><br />Here, we see four cattle watering in a river so calm it reflects the surrounding forest. No signs of the humans who graze them are visible. At left a white steer stands apart, illuminated in a beam of sunlight. Its nearly mythical quality may reference Greek mythology and the metamorphosis of humans into animal form--whether <a href="https://en.wikipedia.org/wiki/Io_(mythology)" target="_blank" rel="noopener">Io transformed by an angry Hera</a> or <a href="https://en.wikipedia.org/wiki/Europa_(consort_of_Zeus)" target="_blank" rel="noopener">Zeus transorming himself to rape</a> Europa.
Bierstadt, Albert, 1830-1902
Portland Art Museum, Portland OR<br /><a href="https://commons.wikimedia.org/wiki/File:Mohawk_River,_New_York,_by_Albert_Bierstadt,_1864,_oil_on_canvas_-_Portland_Art_Museum_-_Portland,_Oregon_-_DSC08750.jpg" target="_blank" rel="noopener">Photograph by Daderot, via Wikimedia Commons</a>
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