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var str = 'Black River Falls, Watertown NY';
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var str = 'During the 19th century it was estimated that the Black River generated some 135,000 horsepower along its course during the dry season. Just within the city limits of Watertown, NY the river dropped 110 feet, meaning that manufacturing concerns generally drove planning decisions. The suspension bridge pictured here, overlooking the picturesque Black River Falls, probably was intended for functional purposes .';
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Durant, Samuel W., and Henry B. Peirce, <em>History of Jefferson County, New York : With Illustrations and Biographical Sketches of Some of its Prominent Men and Pioneers </em>(L. H. Everts, 1878): frontispiece. <a href="https://archive.org/details/historyofjeffers00dura_0/page/n8">Web version available at Internet Archive.</a>
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var str = 'L. H. Everts & Co.';
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var str = '1878';
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var str = 'In the Early Spring';
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This painting depicts a scene that combines natural elements with man-made features. The brick wall is clearly defined in the forefront of this painting, but our attention is directed to the waterfalls that flow behind it. The wall varies in height and seems to take on the shape of the waterfall behind it. Gaps and layers of the wall give the illusion that the waterfall is part of the man-made structures. The dreary background is abundant with parallel lines that make it appear as its own type of wall. <br /><br /><span style="text-decoration: underline;">About the Artist</span>: Like NDG artists Lucie Bayard and A.E. Cederquist, Cunning was a student of the famous artist-teacher <a href="https://en.wikipedia.org/wiki/Robert_Henri" target="_blank" rel="noopener">Robert Henri</a> at the New York School of Art. He remained close to this circle of artists via the Whitney Studio Club, and several of his works were featured in Whitney Bienniels or museum collections: “Old Dock” (1927); “Sunset—New York Bay” (1932); “Roadside Market” (1934). His 1934 painting “Manhattan Skyline,” created for the Public Works of Art Program, is at <a href="https://americanart.si.edu/artwork/manhattan-skyline-6053" target="_blank" rel="noopener">Smithsonian American Art Museum</a>. 1 work at <a href="http://collection.whitney.org/object/2493" target="_blank" rel="noopener">Whitney Museum of American Art.</a> 2 works at the <a href="https://www.brooklynmuseum.org/opencollection/artists/3526/objects" target="_blank" rel="noopener">Brooklyn Museum</a>. 1 more image at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-5-folder-23" target="_blank" rel="noopener">FAP</a>.
Cunning, John, 1889-1953
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var str = 'New Deal Gallery, Genesee Valley Council on the Arts
Object #FA18140';
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var str = '1937';
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var str = 'Ritz, Abigail (photographer)
Serbalik, John (biography)
Cooper, Ken (biography)';
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jpeg, 10.3 MB';
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var str = '050';
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var str = 'Cohoes Falls on Mohawk River, New York
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Watercolor and graphite composition captures the 1,000-ft. wide falls two miles upstream from where Mohawk joins the Hudson River. The name may derive from the Mohawk phrase "a canoe falling"--a wry bit of humor. According to an 1813 description, the "river is seen gliding over a granitic rock, smoothed by its own operations, and bordered with rocky banks, supporting a sterile soil and a stinted growth of pine, hemlock, cedar and other evergreens, till it arrive at the fall, down which it pours at high water, in one sheet of near 70 feet: but at low water, descends, in excavated courses, some in cataracts, and some in oblique or zig-zag precipices, affording a most sublime and picturesque combination of bold force and violence" (Horatio Gates Spafford, <em><a href="https://archive.org/details/gazetteerofstate01spaf/page/170">A Gazetteer of the State of New-York</a>, </em>p. 170).<br /><br />In 1831, the river was dammed for manufacturing purposes and its flow has been regulated since the 1930s, when it was converted for electricity generation.
Smith, John Rubens (1775-1849)
Maria DeWitt Jesup Fund, 1974, <a href="https://www.metmuseum.org/art/collection/search/12614">Metropolitan Museum of Art</a><br />Via <a href="https://creativecommons.org/publicdomain/zero/1.0/">Wikimedia Commons</a>
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var str = 'Unknown';
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jpeg, 515 KB';
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var str = 'Middle Falls of the Genesee, Rochester NY';
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var str = 'A mile and a half downstream from Rochester\'s Upper Falls (later, \"High Falls\"), its Middle Falls originally had a height of 25 feet and were featured in Thomas Davies\' 1768 engraving of the area. Here, we see one of two masonry dams built at the site. In 1917, one of the old dams was demolished to build a new moveable one, whose primary function now was to channel water through a tunnel--20 feet in diameter, 1500 feet long--to a generating station located at the base of Lower Falls.
That dam project may cause the \"Middle Falls\" to lose its designation as a waterfall, considered an \"historical\" one instead.';
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var str = 'Courtesy of Ken Cooper';
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var str = 'Souvenir Post Card Co., NY';
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var str = '1909-08-18';
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jpeg, 465 KB';
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var str = 'Triphammer Falls, town of Avon, N.Y. ';
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var str = 'Bathers, friends of Martha Blow Wadsworth (wife of Herbert Wadsworth), frolicking in the falls at the Triphammer site in the southern part of the town of Avon, N.Y. The Wadsworth family of Geneseo owned a flour mill at this spot on Conesus Creek, near where a trip-hammer and forge were also located. ';
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Wadsworth, Martha Blow (1864-1934)
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var str = 'Martha Blow Wadsworth Image Collection
Milne Library Special Collections, SUNY Geneseo';
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var str = '1907?';
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var str = 'Paper Mill Falls, Conesus Creek, town of Avon, N.Y. ';
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var str = 'Paper Mill Falls is the site of several early mills, including a grist (or flour) mill owned by the Wadsworth family of Geneseo, N.Y.';
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Wadsworth, Martha Blow (1864-1934)
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