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https://openvalley.org/files/original/c32cd715aa8a08ed7e782e6a4faca8a9.JPG
5fa509a15ac689b64afbcb03e9524219
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Deal Gallery
Description
An account of the resource
This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." <br /><br />Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.<br /><br />Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935-1940
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken (project director)
Ritz, Abigail (photography and project assistant)
Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.
Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Oil painting
Physical Dimensions
The actual physical size of the original image
24 x 30 in.
Condition: flaking paint, surface dirt, stains
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
On the Rocks
Format
The file format, physical medium, or dimensions of the resource
jpeg, 867 KB
Description
An account of the resource
This dramatic view of a coastal shoreline and shipwreck is lit with the light pinks and blues of twilight. At left, a rocky coast and cliffs in the background; in the foreground, breaking waves and foamy aquamarines. The abandoned ship itself tilts upon rocks and amidst ocean swells testifying to the area’s danger. A few tattered remnants of sails leave us wondering what happened, and how long ago.<br /><br /><span style="text-decoration: underline;">About the Artist</span>: We haven’t located much reliable information about this artist. Born in Warsaw, Poland, Morosoff immigrated to the US in 1904 and became a citizen in 1936 under the name William Morton. He moved to Los Angeles, CA in the late 1930s. His NDG painting shows an interest in maritime art with an historical bent, which included other paintings such as “<em>U.S.S. Constitution</em>” and “Caravels of Columbus.” His FAP painting “Battle Fleet Maneuvers” was allocated to the Fourth Battalion US Reserves on Long Island. 6 more images at <a href="https://www.aaa.si.edu/collections/federal-art-project-photographic-division-collection-5467/series-1/box-16-folder-31" target="_blank" rel="noopener">FAP</a>.
Creator
An entity primarily responsible for making the resource
Morosoff, Vadim Vladimirovich, b. 1874
Publisher
An entity responsible for making the resource available
Federal Art Project
Date
A point or period of time associated with an event in the lifecycle of the resource
1936
Contributor
An entity responsible for making contributions to the resource
Ritz, Abigail (photography)
Cooper, Ken (biography)
Source
A related resource from which the described resource is derived
New Deal Gallery, Genesee Valley Council on the Arts
Object #FA18210
Type
The nature or genre of the resource
Still image
Identifier
An unambiguous reference to the resource within a given context
117
Federal Art Project
New Deal Gallery
painting
Vadim Morosoff