Poems from <em>African Past, Migrant Present</em>
These five poems date to an early proposal for a 1986 exhibition staged by the Geneseo Migrant Center (GMC). All had been published previously in collections of poetry; for <em>African Past, Migrant Present</em> they were to be paired with black & white documentary photos taken by GMC staff. <br /><br />This item consists of a pdf file that collects the poems; it has been created in support of <a href="https://storymaps.arcgis.com/stories/b8ffee99687346339977f9c0dad81264" target="_blank" rel="noopener">a more in-depth story map</a> on the exhibition.
Leonard, "Brown"
Anonymous, "Following a Dream"
Anonymous, "Cold"
Robert, Eddie, John C.,Troy, Tyrone, "Love Me Blues"
Eartha Bridges, Denise Hammond, Lois Hammond, "Pickin Potatoes"
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This poem showcases how much time migrant farmworkers spend apart from their families. Its circumstances were explained in an issue <em>Real Talk, </em>published by the Geneseo Migrant Center:<br /><br />"In honor of Mother's Day, Sunday May 14th, we would like to share a poem with you. The author, Herbert Canty, is a migrant farmworker who worked at Moore Camp in Wayland, New York last season. While he was in New York, his grandmother died. My Grandmom was written in her memory" (April 1989: 1).<br /><br />This poem captures the complexities of emotions that come with working separately from your family and facing the adversities of distance. <em>Note: the document orginally appeared by itself on an 8.5 x 11 sheet of paper; this image has been cropped for better readability</em>
Canty, Herbert
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Poet Janine Pommy Vega facilitated dozens of writing workshops during her time with Creative Artists Migrant Program Services (CAMPS), whether located in farm labor camps or other sites where migrant workers could access. This session was held at the Colonial Motel in Oramel, NY; its participants were employees at the 680,000 square-foot Intergrow Greenhouse in nearby Fillmore, NY. A list of the poems appears below, all of which were translated by Pommy Vega. <br /><br />--Juan Jose Pérez, "I Am an Eagle" <br />--Isael Nava, "I Am the Sea" <br />--Mario Estrada, "Hello, I Am the River" <br />--Gil Nava, "Rainbow" <br />--Constantino Garcia, "Hello, I Am the Water"
Pérez, Juan Jose
Nava, Isael
Estrada, Mario
Nava, Gil
Garcia, Constantino
Vega, Janine Pommy (translator)
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var str = 'Poems by Intergrow Greenhouse Workers, 11 Sept. 2003';
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Mario Proquinto, \"The Festival of Good Friday\"
Arturo Martínez Salas, \"The Mint and the Serpent\"
Pablo Enrique Martinez Resendiz, \"The Legend of the Bullfrog\"
Eron Hurtado Asevedo, \"The Legend of the Lady\"
Sabino Cotreras Monterrobio, \"Legend of the Night Watchman and the Black Horse\"
Jose Luis Resendiz Trejo, \"Witchcraft\"
Everybody Together, \"The Rattlesnake\"';
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Proqunto, Mario
Salas, Arturo Martínez
Rsendiz, Pablo Enrique Martinez
Asevedo, Eron
Monterrobio, Sabino Cotreras
Trejo, Jose Luis Resendiz
Vega, Janine Pommy (Translator)
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Abraham Trejo, \"The Story of a Little Frightened Boy\"
Jose Nava, \"My Grandfather\"
Gildardo Nava, \"Memory of My Childhood\"
Isael Nava, \"The Story of Dawn\"
Jose Juan Pérez, \"Story of Commander Marcos\"
Ramiro Trejo, \"The Friends\"';
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Trejo, Abraham
Nava, Jose Nava
Nava, Gildardo Nava
Nava, Isael Nava
Pérez, Jose Juan
Trejo, Ramiro
Vega, Janine Pommy (translator)
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var str = 'Janine Pommy Vega Reads Poetry with Migrant Workers, CAMPS program';
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var str = 'Famous poet Janine Pommy Vega was an instructor and translator from 1994 through 2007 in creative writing programs for migrant workers through the Geneseo Migrant Center. Here she is seen facilitating a poetry workshop in CAMPS (Creative Artists Migrant Program)';
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<em>Following A Dream</em> Galleys and Selected Poems
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var str = 'This series of poems was created by various migrant workers on farms across New York that worked together with the Geneseo Migrant Center. The poems were organized in this collection by Sylvia Kelly, the director of the Creative Artists Migrant Program Services (CAMPS) of the BOCES-Geneseo Migrant Center. Several artists, teachers, and volunteers worked together to work, edit, and collect poems written during the 1980 migrant season. The collection was poetry was funded by Poets and Writer Inc. as well as assisted by other various companies around New York. The poems are a depiction of the experiences of migrant farmworkers, their dreams, aspirations, everyday thoughts, and overall view of the world. Poetry was a form of therapy for these workers to release their feelings and emotions surrounding their job system. Overall, \"Following A Dream\" showcases the hard work of the Geneseo Migrant Center C.A.M.P.S. and the talent of a multitude of migrant farmworkers. ';
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Kelly, Sylvia
Dailey, Joel
Martin, Richard
Boettger, Elizabeth
Mattera, Gloria
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var str = 'Kershner, Natalie';
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var str = 'Voices of the Harvest';
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var str = 'Collection of poems writing by migrant farmworkers, primarily during the 1970s and \'80s. Some of the works had appeared in self-published photocopied editions, others in scholarly journals. Most of the poems were written by Black farmworkers who lived part of the year in Florida and traveled to Western NY for its harvest season. The collection is dedicated to Geneseo Migrant Center (GMC) founder Dr. Gloria Mattera, who began the program during the late 1960s and passed away in 1988. This scanned copy includes handwritten inscriptions suggesting that it had been gifted to then-GMC Director Robert Lynch.';
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Kelly, Sylvia (ed.)
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var str = 'Creative Artists Migrant Program Services collection, Genesee Valley Council on the Arts';
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Geneseo Migrant Center';
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var str = '1992';
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var str = 'Cooper, Ken';
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pdf, 13.8 MB';
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var str = '\"Voices of the Glen\" title page';
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var str = 'Illustration to a collection of poems written by visitors to William Pryor Letchworth\'s \"Glen Iris\" estate on the Geneseee River. Its composition suggests that the voice of nature itself--for example, the creek pictured--is being channeled via poetry.';
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Whitney, E. J.
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var str = 'Henry R. Howland, ed. (?). \"Voices of the Glen,\" Rev. ed. Published under the auspices of the American Scenic and Historic Preservation Society (1911).';
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var str = '1876';
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var str = 'Stappenbeck, Austin ';
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var str = 'jpeg, 544 KB
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var str = 'Engraving';
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