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Floor plan to the influential art museum in Boston, MA shows not simply a series of galleries but an historical sequence that is displayed walking through the rooms. As Logan Ward suggests, visitors following a counter-clockwise route enact the implied transition from "Oriental" cultures (Assyrian, Egyptian, Phoenician) to the ascendency of "Western" Greco-Roman cultures, which prepares the way for an Italian Renaissance. <br /><br />This was part of broader colonial influence of museums gathering or appropriating materials from around the world. Galleries that had been organized by artistic media--by very specialized curators--now were overseen by individuals with expertise organized by geographicl and cultural knowledge.<br /><br /><span style="text-decoration: underline;">Source Consulted</span>: Logan Ward, “Museum Orientalism: East versus West in US American Museum Administration and Space, 1870-1910, Part Two,” <em>The Coalition of Master’s Scholars on Material Culture</em>, October 7, 2021.
<em>Museum of Fine Arts Bulletin</em>, Vol. 1 (1903): 33<br /><br /><a href="https://archive.org/details/jstor-4423164/page/n1/mode/1up" target="_blank" rel="noopener">Courtesy of Internet Archive</a>
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Hader, Berta Hoerner
Hader, Elmer Stanley
<em>Berta and Elmer Hader's Picture Book of the States</em> (Harper & Brothers, 1932) <br /><br />Courtesy David Rumsey Historical Map Collection
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