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https://openvalley.org/files/original/da587bf432101eed0fbd7160f12e4db8.JPG
67d1d879d97c1f76a4196a23feeebe05
https://openvalley.org/files/original/4dfe14c29c78d150b4f42d939ee89613.JPG
f37d97e6e6198cc6be74372875cf285b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
New Deal Gallery
Description
An account of the resource
This collection of more than 200 paintings owes its existence to two primary causes: allocations from the Federal Art Project to a New York state tuberculosis sanatorium located at Mt. Morris--the landscapes and still lifes were thought to be restful--and to the committed volunteers who helped preserve the paintings after the hospital closed. For several decades the canvases were stored in non-climate-controlled basements; it appears that doctors and staff removed at least three dozen works as "keepsakes." <br /><br />Despite the seeming tranquility of the paintings, they were created by artists primarily from New York City whose background was more political and aesthetically adventurous than this rural location would indicate. <a href="https://openvalley.org/exhibits/show/green-new-deal/about" target="_blank" rel="noopener">Follow this hyperlink to a short introduction to the New Deal Gallery collection</a>. We're grateful to the Genesee Valley Council on the Arts for access to their collection, which has been re-photographed and appears here at two resolutions: a cropped, web-friendly file size of around 1 MB; and a high-resolution file including the painting's frame.<br /><br />Items in this collection were created according to a consistent format: a short description of each painting in formal terms, followed by a biography of each artist. Where possible we have supplied hyperlinks relevant to their lives and to other examples of their art. In order to better view them using the Omeka program, click on the "View All" option at the bottom of this page to access various sorting options.
Date
A point or period of time associated with an event in the lifecycle of the resource
1935-1940
Contributor
An entity responsible for making contributions to the resource
Cooper, Ken (project director)
Ritz, Abigail (photography and project assistant)
Additional research: Justin Anderson, Jessica Apthorpe, Jay Bang, Kristopher Bangsil, Julia Caldwell, Sydney Cannioto, Sabrina Chan, Paige Closser, Victoria Domon, Elana Evenden, Yadelin Fernandez, Michael Griffin, Madison Jackson, Niamh McCrohan, Ben Michalak, Ricky Noel, Elizabeth Ramsay, Skye Rose, Samantha Schmeer, John Serbalik, Marianna Sheedy, Emily Spina, Alison Stern, Ravenna VanOstrand, and Nicholas Vanamee.
Special thanks to: Deborah Bump, Mark Calicchia, Elizabeth Harris, Melissa Moody, Rebecca Lomuto, and Mai Sato.
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as photograph, map, drawing, painting, etc., and any additional data
Oil Painting
Physical Dimensions
The actual physical size of the original image
20 x 24 in.
Condition: surface dirt, pin holes
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Anemones
Creator
An entity primarily responsible for making the resource
Stefano, Berthe
Publisher
An entity responsible for making the resource available
Federal Art Project
Source
A related resource from which the described resource is derived
New Deal Gallery, Genesee Valley Counsel on the Arts
Object #FA18275
Date
A point or period of time associated with an event in the lifecycle of the resource
1935-1937
Contributor
An entity responsible for making contributions to the resource
Ritz, Abigail (photographer)
Caldwell, Julia (biography)
Format
The file format, physical medium, or dimensions of the resource
jpeg, 1.3 MB
jpeg, 15.5 MB
Type
The nature or genre of the resource
Still image
Description
An account of the resource
A table, whose covering appears to have been warped, becomes the space for an arrangement of anemones in a copper vase suspended by a thin spiraled black steel stand. An ashtray accompanies the flowers on the table, standing in the foreground. Cool blues and greens are incorporated on the ashtray, and deep purple, reds, and greens predominate in the flowers. An excess amount of leaves, uncommon for anemones, are included in the bouquet, spiraling down the vase and onto the ashtray. The structured, stable and neutral background space, combined with the possibly unstable vase and table, juxtaposes the stability of the space and time period as a whole.<br /><br /><span style="text-decoration: underline;">About the Artist:</span> We haven’t located much reliable information about this artist. Please contact us if you’re able to help. 2 works, as Bertha Stefano, for the <a href="https://www.nga.gov/collection/artist-info.8247.html" target="_blank" rel="noopener">Index of American Design</a>.
Identifier
An unambiguous reference to the resource within a given context
182
Berthe Stefano
Federal Art Project
New Deal Gallery
painting